вторник, 30 октября 2007 г.

SCAM label NEWS - Gescom - A1-D1 - Ska028

New Releases

Gescom - A1-D1 - Ska028.
All formats now available.(12", CD)
 
Label: Skam
Catalog#: SKA028CD
Format:
 
CD
Country: UK
Released: 22 Oct 2007
Genre: Electronic
Style: Acid House, Abstract, Techno


BOLA - Kroungrine - Skalp/Skald022.
All formats now available.(12", CD)

MR76IX - 3 (MINORITY OF 1) - Skald021.
New CD Album....OUT NOW!!!


Releases over the last few months....
MASSONIX - SUBTRACKS - SKALD080 CD
TEAM DOYOBI - KPHANAPIC FRAGMENTS - SKALD019 CD
BOLA - SHAPES - SKALD020

MP3 Distribution
Skam Mp3s are now distributed world wide, and should be available in all good MP3 Stores. We will be adding more releases over a period of time....

SKAMSHOP - Has had an internal update, you can now preview all Skam music. Download mp3`s, and buy yourself a nice new t-shirt to wear under your jumper,
if you like......
 
About Gescom:
 
Beginning its activities in the early ‘nineties, the shadowy Gescom collective has released material on Clear, Leaf, Chocolate Industries, SKAM, Warp, Worm Interface, and Source labels.

Incorrectly perceived as simply an Autechre side-project, Gescom in fact exists as a platform for a number of aligned artists to work in various different combinations, whilst remaining-otherwise-anonymous. Personnel in Gescom has varied from release to release and even track track. Releases have included 'Minidisc' in 1998 on the Or label, which was reportedly the first ever Minidisc-only release. This comprised of 45 tracks sliced into 88 portions, and encouraging the listener to loop and shuffle at will.

Working members for the minidisc project were Russell Haswell, Sean Booth and Rob Brown. For its split series incarnation, Rob Brown was joined by SKAM DJ Rob Hall (aka Ad Vanz). Gescom continues to operate and shift its identities.

Early Gescom is probably best described as friends of Booth/Brown with production help by Booth/Brown, aka Autechre. Apart from that, the actual personnel seems to vary from release to release or even from track to track. Quote from the Autechre FAQ: "Actually the whole Gescom crew consists of almost 20 people. Sean Booth calls it an 'umbrella-project'."

But there are also a number of releases by a Gescom which is purely Booth/Brown. If it's on Skam they call themselves Gescom regardless of cooperation, it seems.

Gescom is an abbreviation of "Gestalt Communications".
 

понедельник, 29 октября 2007 г.

Connexion Bizarre News 29-10-2007


 

Connexion Bizarre


Connexion Bizarre was updated on 2007-10-29 with a new webcast, new interviews, new reviews and new recommended events and links.

Interviewed this week were musician Susan Matthews and Igor & Tanya of the Eastern Front label.
Reviewed this week were Welle:erdball "Chaos Total", Dirtward "Utopia:Banished", Machinochrist "Escape From Woolwich Arsenal".
This week's webcast features "Rip Out My Heart PLS" with music selection by guest DJ GunHed of Re:Automation and "1011 Reverberation St." with music selection by M.

Don't hesitate to contact us with questions, constructive comments, suggestions and even potential requests for the online radio, etc.

Best regards,
Connexion Bizarre
(www.connexionbizarre.net)




Webcast & Radio Show


Part 1 - Click here to stream or right-click to download
("Rip Out My Heart PLS" with music selection by DJ GunHed)

Damiak - Tenuous Gears
[Micalavera - N5MD]
Thom Yorke - Skip Divided
[The Eraser - XL Recordings]
Dntel - Umbrella
[Life is Full of Possibilities - Plug Research]
Lights Out Asia - Art Divided by Science
[Tanks and Recognizers - N5MD]
Helios - Signed I Will You Well
[Ayres - Type Records]
Mum - They Made Frogs Smoke 'Til They Exploded
[Go Go Smear The Poison Ivy - FatCat Records]
Broken Social Scene Presents Kevin Drew - Gang Bang Suicide
[Spirit If... - Arts & Crafts International]
Caribou - Sandy
[Andorra - City Slang]


Part 2 - Click here to stream or right-click to download
("1011 Reverberation St." with music selection by M.)

CTRLer - The A Team
[This Is Hardcore - Invasion Wreck Chords]
Datach'i - No Servant
[V/A - Imaginary Friends - Sublight Records]
Twinkle - Les Voies Infectées
[Le Jouet - Audiotrauma/Ant-Zen]
Chrysalide - The lovely Family
[lost in a lost world - Audiotrauma]
Machinochrist - Cold Glass Splinters
[Escape From Woolwich Arsenal - Anticulture]
Bong-Ra - Terrorizah
[Full Metal Racket - Ad Noiseam]
Prometheus Burning - For Every Action There Is A Reaction (Endif Remix)
[nBoyde raRepi - Hive Records]
W.A.S.T.E. - Left 'em bleeding in the Moonlight
[Violent Delights EP - Sistinas]
Tonikom - Unsettling
[Epoch - Hymen Records]
Enduser - The Catalyst (DJ Hidden remix)
[Pushing Back - Ad Noiseam]
Scrap.edx - Where Are You Hiding
[Camo Cuts - Livevil]
Rauwolfia - Naked Blood
[V/A - [Bio] Logical War - Les Forces Alliées]

Listen to the Webcast


Connexion Bizarre radio show @ Radio Zero
The Connexion Bizarre radio show can be streamed every Friday at 23:00 GMT and Wednesdays at 10:00 GMT from Radio Zero.



Interviews

Geska Records

Susan Matthews - Siren Wire
"I'm not familiar with the work of the majority of the bands/artists I've been compared to. I came to this via an aborted classical music education coupled with an interest in popular music. (...) For a few years I consciously put myself into a bubble, I switched myself off to other people's music so that I could focus on my own in a very pure way, to really discover my 'sound'."

Read more

The Eastern Front

Igor & Tanya - The Eastern Front
Israel is probably not the place where one would normally expect to find a record label with a catalog spanning martial music, darkfolk, industrial and noise experimentalism. And yet, that is the kind of material being released by this young label and its noise/experimental side-label T'an! Kaven!! Ash!!!

Read more


Reviews

Welle:erdball - 'Chaos Total'

Welle:erdball - Chaos Total
"Chaos Total" is an excellent album full of exciting and moving synthpop anthems produced in the true Welle:Erdball style. That is all you should need to know, end of review!

Read more

Dirtward - 'Utopia:Banished'

Dirtward - Utopia:Banished
"Dirtward" is pure industrial rock from the moment it hits. The apparently single-man project Utopia:Banished has taken a good, hard look back at mid-90s North American coldwave and forged ahead with all the production and genre-bending the intervening years have come to offer.

Read more

Machinochrist - 'Escape From Woolwich Arsenal'

Machinochrist - Escape From Woolwich Arsenal
As a debut album, "Escape From Woolwich Arsenal" is a very solid piece of work and sets the bar pretty high for subsequent offerings by Machinochrist. Powerful and sincere-sounding, it is bound to appeal to breakcore and hardcore fans, as well as please some industrial music adepts.

Read more


Merchandise

Connexion Bizarre Pins

Connexion Bizarre Pins
State your indivuality and rhythmical reverberation with this set of five one-inch Connexion Bizarre buttons! One featuring the main C.B. logo, three featuring the alternative mascots/logos and one featuring the Connexion Bizarre "reverberate rhythmically" motto.

More information


Connexion Bizarre events status:

Bodypop @ "Era Uma Vez No Porto" bar (map location)
17/11, saturday, 11pm-2.30am; Rua do Passeio Alegre 550, Porto (Portugal).
The "usual selection and latest news" of synthpop, electropop, robotpop, 8bitpop and bodypop!

Recommended Events:
Note: we are not involved directly in the organization of recommended events.


InfeKted Sound presents: Audiotrauma showcase
2007-11-10, Slimelight, London (U.K.)
Live performances by Twinkle + Sonic Area vs. Chrysalide
Please check the InfeKted Sound site for more information.


InfeKted Sound presents: Audiotrauma showcase
2007-11-17, Slimelight, London (U.K.)
Live performances by Bahntier (feat. Justin Bennet of Skinny Puppy) and E.S.A.
Please check the InfeKted Sound site for more information.


Recently added links

Angelspit, Australian electro-rock/cyberpunk
Coilhouse, magazine + blog

Latest recommended links

Dark Star Festival (us)
Hooverphonic, electro (via :JW:)
The Vader Project (found via ratagosk)
Ron Turner Pulp Magazines Cover Collection
Angelspit's "Pleasure Series" printzine
The Sunday Hangover with Warren Ellis #009, considerations on alt culture and the future.





 

New mp3 release - Ocbalt - As Is [mtk193]

A debut on Monotonik, then, for Finland-based electronic music artist Ocbalt, with some delightfully bubble, vocoded tracks from his upcoming 'Vintage Art' album.

The full album should be out on a physical label pretty soon, but we, luckily enough, get a digital EP to precede it, with the brief spoken word 'What Is Art?' seguing swiftly into the surprising bleep-pop of 'Bribe', which showcases sweet multi-tracked vocoded singing and super-catchy synths, all stutter-step.

The other two tracks are dead-on, too, with 'As Is' blasting a little tarantella on drums before spooky synths wander in and looped spaceman vocals wander across the top somewhere or other. Finally, 'Okno' has an odd spoken word loop to start out before some absolutely delightful idmpop wanders into view, catchy and smart. 'Ok yes', Ocbalt - and thanks for sharing with us.
 
links:
 
 
 
 

воскресенье, 28 октября 2007 г.

News - Le Vestibule, October 27, 2007 playlist + listen on line

Hello,

So here is the October 27, 2007 playlist of my 537th radio show "Le Vestibule" specialized in all the genres that are a part of the Electronic and Gothic music scenes presented every Saturday night from 9 PM to 11 PM on CFOU 89.1 FM, the University of Trois-Rivieres radio station.


You can listen to my October 27, 2007 show at :
http://www.archive.org/download/levestibule27octobre2007cfou/levestibule27octobre2007cfou_vbr.m3u

Take note that you can now listen to my past radio shows whenever you want online at www.myspace.com/levestibule, in the Archives section.


*** IF YOU WANT TO LINK MY RADIO SHOW ON YOUR WEB SITE :

OFFICIAL SITE (with most recent playlists, chart, audio archives, etc.):
                                                               http://www.myspace.com/levestibule

FOR PLAYLISTS: http://industrial.org/dj.php?t=11990

RADIO STATION WEB SITE: www.cfou.ca

PLEASE UPDATE YOUR LINKS OR ADD THESE NEW ONES, THANK YOU. ***


** Good news! I would like to inform you that CFOU 89,1 FM is now airing at 3000 W. **



That being said, I remind you that if you are interested to collaborate with me in the promotion and diffusion of your artists, you are more than welcome to send me promotional items that I can play on my radio show "Le Vestibule". You can send anything, everything to:

**** (Take note that for the moment I am unfortunately unable to play any vinyl on my radio show. So if you have promo vinyls to send, if you can burn it on a CD-R instead it would be perfect. Thank you for your understanding.) ****


         Jean-Francois Fecteau
        Le Vestibule
        360, rue Tanguay, app. 6
         Trois-Rivieres (Quebec)   G9A 6G9
        Canada

        Phone #:        (819) 379-1765
         E-Mail: levestibule@tr.cgocable.ca


If you want to consult my previous playlists, you can go to the web site :

http://industrial.org/dj.php?t=11990

There you will find all of my playlists since the beginning.


If you wish, you can check out : http://www.myspace.com/levestibule,
where you will find an Audio Archives of some of my past radio shows.


You can also visit CFOU 89.1 FM's web site at www.cfou.ca on which you can listen live to my radio show via the Internet and you can express yourself in the forum section.

I would like to thank you for your consideration and until next time, let me wish you all the best. Take great care of yourself.

Respect.


Jean-Francois Fecteau





PLAYLIST of the 537th radio show « Le Vestibule »
October 27, 2007 from 9:00 P.M. to 11:00 P.M.
Hosted by JEAN-FRANCOIS FECTEAU
on CFOU 89.1 FM


1)      Giuseppe Donaggio & Merrit Malloy: "Theme From Carrie (Gaudi Remix)"
                                                                                         (SIX DEGREES RECORDS)

2)      Para One: "Clubhoppn" (INSTITUBES/NAÏVE/RYKODISC)

3)      Mind In A Box: "Introspection" (METROPOLIS)

4)      Tara King th: "A Sigh Of Relief" (MUDAH PEACH/OCEAN MUSIC)

5)      ILS: "Everybody Needs A Shrink" (BOTCHIT & SCARPER)

6)      Rotting Moldy Flesh: "She Fell (Dream Sequence 2) – Close To The Edge"
                                                                                         (ROTTING MOLDY FLESH)

7)      Time Lock: "Punchline" (BNE/YO YO RECORDS)

8)      Robert Ashley: "Now Eleanor's Idea: Act 2: The Miracle Of Cars"
                                                                                         (LOVELY MUSIC LTD.)

9)      The Dreamside: "Forsaken Moog Bass (Aaron Jasinski Remix)"
                                                                                (DANCING FERRET DISCS)

10)     Julio Sanz Vazquez: "Del Buen Suceso: Conclusion" (TESTING GROUND)

11)     France & Dom: "Blue Smoke" (WATER MUSIC RECORDS)

12)     Animaltek: "Innocent Robot" (TREIBSTOFF)

13)     Bitter:Sweet: "Dirty Laundry (Skeewiff Remix)" (QUANGO MUSIC)

14)     Snog: "The Last Days Of Rome" (PSY-HARMONICS)

15)     Domino Theory: "No Apology" (CRASH FREQUENCY)





Jean-Francois Fecteau

Jean-Francois Fecteau
Le Vestibule
360, rue Tanguay, app. 6
Trois-Rivieres (Quebec)   G9A 6G9
Canada

Phone#: (819) 379-1765
E-Mail: levestibule@tr.cgocable.ca
http://www.myspace.com/levestibule

пятница, 26 октября 2007 г.

Debut solo album from Susanna (Rune Grammofon release)

Susanna - Sonata Mix Dwarf Cosmos 

For her solo debut Susanna Wallumrød has written the 12 highly personal songs that make up this beautiful and quite extraordinary album. In these fast and restless times of instant entertainment and shortways to possible success, it´s a rare treat to witness a young and genuinely talented singer and writer that operates to such a degree outside trends and fashions. We are delighted with this lovely addition to the catalogue, a work of uncompromising dedication inviting us to reflect and to listen. Susanna plays piano and guitar, guests include her brother Christian Wallumrød (piano), Magical Orchestra partner Morten Qvenild (piano, synth), Big Bang leader Øystein Greni (guitar), Ola Fløttum (guitar) from The White Birch, Pål Hausken (drums) from In The Country, Helge Sten (guitar, mellotron), Ingebrigt Håker Flaten (bass), Barbara Buchholz (theremin) and Giovanna Pessi (harp). Release concert at Blå in Oslo on 29. August.
The album is produced by Deathprod.

You can order it here. 

Forthcoming

Supersilent - 8 (17. September) 

Ole Henrik Moe - Tre Persefone / Ciaconna (1. October)

Food - tba (5. November) 

Various - Runeology 3 (tba) 

www.runegrammofon.com 

STAUBGOLD / QUECKSILBER - Music NEWS

+ ALEJANDRO FRANOV's "Khali" cd/lp out on Staubgold

+ STAUBGOLD FEATURES at soundofcities.com and qwartz.org

+ KAMMERFLIMMER KOLLEKTIEF's "Jinx": selected reviews

+ INTERFACE festival for music and related arts

+ LIVE DATES

+ FORTHCOMING RELEASES

* * * ALEJANDRO FRANOV's "Khali" cd/lp out on Staubgold * * *


+ order from http://www.staubgold.com

+ pre-listen and download from finetunes.net
@ http://snipurl.com/staubgold

+ visit Alejandro Franov @

http://www.ale.franov.com.ar and

http://www.myspace.com/alefranov


+ staubgold 78 Alejandro Franov - Khali cd/lp

Argentinian songwriter and multi-instrumentalist Alejandro Franov is one
of the key figures of the alternative folk and world music scene of his
country, brought to worldwide critical acclaim by singer/sonwriter and
actress Juana Molina. Franov collaborated with Juana Molina on three of
her albums, "Segundo" (2000), "Tres Cosas" (2002) and "Son" (2006).
With "Khali" Staubgold is proud to present his first worldwide release,
after five solo albums which have only been released in South America
and Japan.

"Khali" which is mainly based on three instruments - the African mbira,
the Paraguayan harp arpa and the Indian sitar - is the result of
Franov's studies in African and Arabic music, especially the music of
the Shona from Zimwbabwe. He carefully combines these unique instruments
with percussion, voices and minimal electronics in order to create a
comfortably floating stream of world music in the purest sense, hardly
relating to any certain country or region.

On the one hand "Khali" is the name of the Croatian island where
Franov's grandfather was born, on the other hand it's taken from the
tabla rhythm cycle of Hindustani music, and it's the name of a Hindu
goddess.

Born in 1972, today Alejandro Franov is one of the most important
musicians in Argentina. His unique musical talent has attracted many
artists and led to collaborations with Juana Molina, Liliana Herrero,
Fernando Kabusacki, Mono Fontana, Santiago Vasquez, Seiichi Yamamoto
(Rovo, ex-Boredoms), Yuji Katsui (Rovo), Kama Aina and many more.


discography (solo albums):

2000 Accesorion cd
2002 Yusuy cd
2003 Rio cd
2004 Opsigno cd
2005 Melodia cd
2007 Khali cd/lp

* * * STAUBGOLD FEATURES at soundofcities.com and qwartz.org * * *


Check qwartz.org for a Staubgold label feature on occasion of
Staubgold winning the Qwartz label award 2007 (by Laurent Catala):

http://snipurl.com/qwartzfeature

"There are few labels as eclectic as Staubgold. And only few of them let
their mentor's personality appear so clearly in the artistic choices.
Staubgold, which has been founded in 1998 in Köln and moved to Berlin in
2003, is a real piece of work of its own, and more precisely, Markus
Detmer's one. This activist musician became manager of one of the most
singular labels of the last decade thanks to his experiences but also
thanks to his risk-taking."

Listen to the "La Grande Illusion" compilation (Staubgold 2007) on
Qwartz Radio:

http://snipurl.com/qwartzradio


--

Check the electronic music magazine of soundofcities.com for a feature
about
Staubgold and Klangwart (by Henry Stag):

http://www.soundofcities.com/Magazine/Staubgold.html

Includes streams and free mp3s of Cluster, Amon Duul II, Big City
Orchestra,
Klangwart, Reuber, Andrew Pekler and Nista Nije Nista among others.

* * * KAMMERFLIMMER KOLLEKTIEF's "Jinx": selected reviews * * *


"Jinx is one of Kammerflimmer Kollektief's finest and most intimate
releases yet."
(François Couture, allmusic.com)

"Der Hörer gewinnt auf »Jinx«, dem neuen Album des Trios, den Eindruck
einer Gesamtheit, die endgültig neu ist. Farbenfroh und organisch wirkt
das Album der Karlsruher. Es hat jeglichen Ansatz von »Art«, im Sinne
von »erkünstelt», verloren und ist, variantenreich instrumentiert,
wieder mit zahlreichen Einflüssen spielend und durch das Mitwirken
zahlreicher Gäste, wie etwa Martin Siewert, ein aus einer Stimmung
heraus gespieltes Ganzes geworden. Wo Robert Wyatt nie Art-Rocker im
landläufigen Sinne war und auch nie Jazz gemacht hat, und doch alle
Elemente dieser Stile in seiner Musik als das Seine auffing, um seine
wunderbare »Wyatt-Musik« zu schaffen, hat das Kammerflimmer Kollektief
nun die seine, die »Kammerflimmer-Musik«, gefunden. Einige Momente auf
»Jinx«, insbesondere die mit »mouth«, könnten direkt dem Wyatt-Album
»Rock Bottom« entsprungen sein: Es ist kein Zufall, dass die Vocals von
Heike Aumüller in den Credits der Platte, etwa in »Both Eyes Tight
Shut«, so benannt wurden wie schon damals bei Wyatt. Wo früher Kürzel
standen, kleine Ideen und oben erwähnte Rohheit, instrumentieren Thomas
Weber, Johannes Frisch und Heike Aumüller heute zu Ende. Mit Cale'scher
Violine, Saxophon, Pedal und Lap-Steel-Gitarren, getragen von Samples,
Elektronik und Harmonium, kommentiert von einem in diesem musikalischen
Genre an Gewandtheit und melodischer Prägnanz seinesgleichen suchenden
akustischen Bass, wird das sechste Album des Kammerflimmer Kollektiefs
zu einem weiteren Glanzstück im Katalog des avancierten Labels Staubgold
und seines Betreibers Markus Detmer."
(Christof Kurzmann, Spex)

"Das Album entzieht sich aller möglichen Kategorisierungen und zeigt
eine 'Band', die zu einer vollkommen eigenen Stimme gefunden hat. (...)
Sie spielen es nocheinmal, das alte Lied von künstlerischer
Neuerfindung. Absolut idiosynkratisches Meisterwerk! Play it again,
Karlsruhe. "
(Ralf bei der Kellen, Jazzthetik)

"Epic soundscapes dotted with detailed intricacy."
(Tom Ridge, The Wire)

"The Kammerflimmer Kollektief makes the future shimmer with sweetness
and passion."
(Philip Cheah, BigO)

"Immerzu wird der Hörer in den Bann gezogen von einem drone-Sog, der die
Musik astral abgehoben schimmern lässt."
(Alfred Pranzl, skug)

"Still grounded in peculiar and chimerical rhythms, the disc combines
Kollektief's traditional synthetic beats with unexampled organic and
rhapsodic harmonies, often in the form of unintelligible, seemingly
tribal female vocals ("Jinx" and "Both Eyes Tight Shut" are prime
examples). The blending of these rather cross-culture techniques spin
the sound into an entirely different direction, hypnotizing the listener
into melodious pictorial hallucinations of rainforest walkways sprouting
up down the main boulevard. As the jungle bursts through the sidewalk
tearing towards the sky, cars and houses are overturned in slow,
intentional patterns, as the listener strolls in omnipotent fashion
through newfound nature. Whereas a lot of electronica/ambient music
tends to assist in creating an atmosphere within established identity,
the depth displayed throughout Jinx actually helps transport the
listener somewhere else entirely. It's an out of body experience
squeezed onto a single compact disc. (...) Jinx is a goldmine for fans
of underworld electronica in search of something with a little more
life, a little more bite. Scattered with some of the most goose bump
inducing passages heard this year, the album still retains its ambient
identity and seems to know exactly when to scream and when only to
whisper."
(Jonathan Brooks, The Silent Ballet)

"...erinnert an nordamerikanische Indianergesänge oder Yoko Ono."
(Andreas Brüning, Intro)

* * * INTERFACE festival for music and related arts * * *


40 Years of Speed and Space: Los Angeles - Berlin

September 14 to 30, 2007 @ Ballhaus Naunynstr., Berlin

program details @ http://www.ballhausnaunyn.de


The sister-city status of Los Angeles - Berlin offers the opportunity
for Berlin, European and Californian artists to participate in an
artistic exchange. Works for the Ballhaus Naunynstraße are being created
whose particular architectonic and acoustic conditions offer special
inspiration for new formats for concerts, performances and
installations. In the first edition of the Festival INTERFACE 2006, the
idea of using the entire potential of house's space proved to be a
success. Thus, the main hall, studio, gallery, café, stairwells,
terrace, courtyard and alleyway - three floors of space - will once
again be made available for projects.

The music program of INTERFACE spans an arc that began approximately 40
years ago and ends with new and recent projects - from the legendary Los
Angeles Free Music Society, LAFMS (Tom Recchion) to the Californian
interpretation of ambient and minimal music (Harold Budd, Rick Cox),
representatives of sophisticated tuning systems and homemade instruments
in the tradition of Harry Partch and Erv Wilson (Kraig Grady), a pioneer
of electronic and computer music (David Rosenboom), including, among
others, electronica performers and composers of the younger generation
(DNTEL, Carlos Nino & Miguel Atwood-Ferguson, The Gaslamp Killer,
Nobody, John Wiese, Scott Arford, Daedelus, Daniel Rothman).
Complementing and accompanying these artists throughout the festival
will be projects by Berlin and European artists and composers including
Cluster, Los Glissandinos/AMM, David Toop, Trio Nexus/Dror Feiler,
Cornelius Schwer, Hauke Harder, Michael Pinter/Ensemble Zwischentöne,
Werner Dafeldecker, Boris Hauf, Werner Durand, Markus Detmer, Tim
Tetzner, September Collective/Barbara Morgenstern, Stefan Schneider,
Paul Wirkus, Quatuor Bozzini/Ernstalbrecht Stiebler, Daniel Rothman;
transatlantic collaborations will come into being.

The program will be framed with installations by artists from California
and Berlin including Bernhard Gal, Daniel Rothman, Mark Trayle, James
Higginson, 17 Hippies, Holger Lippmann, Christian Kesten and a project
with music films on Los Angeles/LAFMS (Tim Tetzner).

* * * LIVE DATES * * *


RAFAEL TORAL

15 september @ contemporary art center, usa- cincinatti
29 september @ inversion festival, pt- barreiro


current releases:

staubgold 69 space cd
quecksilber 11 space solo 1 cd

http://www.rafaeltoral.net


---

HARALD SACK ZIEGLER

16 september @ pips im künstlerforum, de- bonn


Harald Sack Ziegler on Staubgold:

staubgold 28 kopf zahl bauch cd/lp
staubgold 59 punkt cd

http://www.haraldsackziegler.de


---

PAUL WIRKUS with September Collective

19 september @ dqlik, lux- luxemburg
20 september @ berger kirche, de- dusseldorf
30 september @ ballhaus naunynstrasse, de- berlin

current album:

staubgold 71 déformation professionnelle cd

http://www.paulwirkus.com


---

LEAFCUTTER JOHN

21 september @ club beap, the bakery, aus- perth
27 september @ open frame, powerhouse, aus- brisbane
29 september @ electrofringe, cambridge hotel, aus- newcastle
04 october @ the last bastion of civilisation, aus- sydney
06 october @ the front cafe, aus- canberra
08 october @ the toff in town, aus- melbourne
11 october @ tba, aus- adelaide
12 october @ the jade monkey, aus- adelaide


current album:

staubgold 68 the forest and the sea cd/lp

http://www.leafcutterjohn.com

* * * FORTHCOMING RELEASES * * *


staubgold 79 sun - i'll be the same cd

staubgold 80 klangwart - I O cd/lp

staubgold 81 autistic daughters - uneasy flowers cd/lp

* * * * * * * * * * * *

staubgold quecksilber
markus detmer
greifenhagener str. 62 10437 berlin germany

tel +49 30 29 35 11 89 fax +49 30 29 35 10 60

http://www.staubgold.com http://www.quecksilber-music.com

become a friend and add a comment:
http://www.myspace.com/thestaubgolds

pre-listen and download @ finetunes.net:
http://snipurl.com/staubgold http://snipurl.com/quecksilber

New releases Rune Grammofon - available now

Ole-Henrik Moe
Ciaccona / 3 Persephone Perceptions (2CD)

Ole-Henrik Moe (1966) is a composer and musician of extraordinary talent and originality who has never been afraid to follow his own path. He has worked with a wide selection of musicians and artists and dived into the most unlikely collaborations. At times too extreme even for the most openminded in academic music circles, his likeminded will most likely be found among followers of sound artists like Deathprod, Maja Ratkje and Lasse Marhaug or composers like Scelsi, Feldman and Varese. This double cd contains some of the most extreme solo violin music ever written, performed and recorded. Two pieces lasting 40 and 43 minutes, both pushing the performer to the edge when it comes to endurance and concentration. For the recording of these pieces the composer, himself a more than capable violinist, was happy to leave the difficult task to Kari Rønnekleiv, an accomplished player perfect for this kind of challenge. Liner notes by Cecilie Ore and Rolf Wallin. Order here.

Various
Runeology 3

Low price sampler with 12 tracks from Arve Henriksen, Susanna, Opsvik & Jennings, Food, Supersilent, Ultralyd, Shining, Alog, Scorch Trio, Humcrush, Ole-Henrik Moe and MoHa!. Covers recent and forthcoming releases in 2007 and 2008 and has the same tracklisting as the recent Wire cd, but with a different sleeve. Please note that this does not come in a digipak, but in a slim sleeve as with previous editions of Runeology. Order here.

Also available

Susanna
Sonata Mix Dwarf Cosmos (Japanese edition). Order here.

Susanna poster (50 x 70) based on the cover artwork for "Sonata Mix Dwarf Cosmos". Order here.

Supersilent t-shirt (S, M, L) back in stock. Order here.

www.runegrammofon.com 

News from Connexion Bizarre


Connexion Bizarre

Greetings,

Connexion Bizarre was updated on 2007-10-22 with a new webcast, new reviews and new recommended events and links.

Reviewed this week were Avsky "Silent Decay", Cenotype "Origins", Pure H "Signia", Photophob "Circadian Rhythms", Storybox "No Dancing Allowed".
This week's webcast features "Playlist #35" with music selection by João and "October Synthpop" with music selection by M.

Don't hesitate to contact us with questions, constructive comments, suggestions and even potential requests for the online radio, etc.

Best regards,
Connexion Bizarre
(www.connexionbizarre.net)




Webcast & Radio Show


Part 1 - Click here to stream or right-click to download
("Playlist #35" with music selection by João)

November Növelet - Misanthropy (04:17)
[From Heaven On Earth - Galakthorrö]
Flutwacht - Chain (06:21)
[Chain - Steinklang Industries]
Haus Arafna - Signed With Blood (03:45)
[Blut - Galakthorrö]
Institution D.O.L. - Plastic Society (04:17)
[VA Steinklang Industries III - Steinklang Industries]
Operation Julmond - Martial Martyr (06:08)
[Twice Minded - Steinklang Industries]
Subliminal - I Wanna Know What Love Is (06:20)
[Coping - Galakthorrö]
Antracot - Major Coincidence (05:02)
[Tonwellen - About 40 Years - Atacama Records]
Dissecting Table - From Life To Death (05:57)
[Ultra Materials 1986-1991 - Steinklang Industries]
Sektion B - Leichenzähler (04:46)
[Only Time - Hate And Revenge - Steinklang Industries]
Fall Weiss - Sacred Ordeal (03:31)
[Fall Weiss - Agit Prop]
A.R.S. - No Country (05:27)
[A.R.S. - Agit Prop]


Part 2 - Click here to stream or right-click to download
("October Synthpop" with music selection by M.)

Plastic Operator - Folder
[Different Places - Fine Day Records]
Rubikon - Original Instinct
[Wonderland - Substream]
Client - Someone To Hurt
[Heartland - Out Of Line]
Capsize - Not Alone
[A Perfect Wreck - A Different Drum]
Cosmicity - I Want You
[Pure - A Different Drum]
The Rorschach Garden - Metropolis
[The Toy Factory - Bazooka Joe]
Chicks On Speed - Kalteswasser
[Will Save Us All! - Chicks On Speed Records]
Information Society - Baby Just Wants
[Synthetizer - A Different Drum]
Emmon - Make It Up
[The Art & The Evil - Wonderland Records]
Emplosia - Goodbye
[Emplosia - Code Records]
Schmoof - Hayfever
[The Glamour - Council Pop Records]
Sista Mannen På Jorden - Glömt det där (Celluloide remix)
[Tredje Våningen - Energy Rekords]
Disco Digitale - I Scream The Body Electric
[Computer Dreams - Killing Music]

Listen to the Webcast


Connexion Bizarre radio show @ Radio Zero
The Connexion Bizarre radio show can be streamed every Friday at 23:00 GMT and Wednesdays at 10:00 GMT from Radio Zero.



Reviews

Avsky - 'Silent Decay'

Avsky - Silent Decay
Avsky is Norwegian and his first album, "Silent Decay", manages to create almost arctic atmospheres, yet still make them sound warm to a certain extent. Because of this the CD knows quite a nice duality (read: tension). Or perhaps this should be considered a schizoid defect?

Read more

Cenotype - 'Origins'

Cenotype - Origins
Origins" is very aptly titled, hinting at the influences behind the act in general as well as the within the record which, despite its faults, is a great release, working on the proven formula of solid, industrial rhythmic noise, with enough of Cenotype's personal twist so as not to sound unoriginal.

Read more

Pure H - 'Signia'

Pure H - Signia
The various interpretations of "Signia" are each supplied with a unique title (presumably contributed by the remixing artist), and although they span a variety of genres, the remixes exhibit a startling homogeneity in sound and, in some respects, style.

Read more

Photophob - 'Circadian Rhythms'

Photophob - Circadian Rhythms
Photophob's music has an upbeat yet abstract quality set to playful synth lines that harks back to the early days of "intelligent dance music" and the heyday of labels like Rephlex and Warp. Although "Circadian Rhythms" initially appears to be a homage to classic IDM, it soon takes a new direction.

Read more

Storybox - 'No Dancing Allowed'

Storybox - No Dancing Allowed
If you are a fan of the music from the early era of electronic pop music (circa 1980-83) then perhaps this might be worth looking into. However, I can't help but think that if you are not going to give the sound a slight update, then maybe some things should be left as they were.

Read more


Merchandise

Connexion Bizarre Pins

Connexion Bizarre Pins
State your indivuality and rhythmical reverberation with this set of five one-inch Connexion Bizarre buttons! One featuring the main C.B. logo, three featuring the alternative mascots/logos and one featuring the Connexion Bizarre "reverberate rhythmically" motto.

More information


Connexion Bizarre events status:

Bodypop @ "Era Uma Vez No Porto" bar (map location)
17/11, saturday, 11pm-2.30am; Rua do Passeio Alegre 550, Porto (Portugal).
The "usual selection and latest news" of synthpop, electropop, robotpop, 8bitpop and bodypop!

Recommended Events:
Note: we are not involved directly in the organization of recommended events.


InfeKted Sound presents: Audiotrauma showcase
2007-11-10, Slimelight, London (U.K.)
Live performances by Twinkle + Sonic Area vs. Chrysalide
Please check the InfeKted Sound site for more information.


InfeKted Sound presents: Audiotrauma showcase
2007-11-17, Slimelight, London (U.K.)
Live performances by Bahntier (feat. Justin Bennet of Skinny Puppy) and E.S.A.
Please check the InfeKted Sound site for more information.


Recently added links

Cenotype, rhythmic industrial project.
Abstraktsens, record label and mail-order (dark ambient, extreme noise, metal, industrial).

Latest recommended links

Shockvertising: a poke in the brain (from the American Institute of Graphic Arts website)





Mailing List Powered by Dada Mail

New 'VITAL WEEKLY" webcast and reviews

VITAL WEEKLY
   ============
   number   598
   ------------
   week      43
   ------------


Vital Weekly, the webcast: we offering a weekly webcast, freely to download. This can be regarded as the audio-supplement to Vital Weekly. Presented as a radioprogramm with excerpts of just some of the CDs (no vinyl or MP3) reviewed. It will remain on the site for a limited period of 5 weeks. Download the file to your MP3 player and enjoy!
complete track list here:
http://www.vitalweekly.net/podcast.html
you can subscribe to the weekly broadcast using the following rss feed:
http://www.harmlog.nl/vitalfeed.asp
New broadcasts will be sent directly when uploaded.

* noted are in this week's podcast

PLEASE READ THIS. WE WILL NOT  REVIEW MATERIAL OLDER THAN SIX MONTHS, SO PLEASE DON'T WASTE YOUR MONEY. NOT ONLY WILL WE NOT REVIEW IT, BUT WE WILL SELL THE MATERIAL TO A SECOND MAIL ORDER OUTLET. ALSO, DON'T SEND MORE THAN 3 (THREE) RELEASES AT ONCE. WE SIMPLY CAN'T HANDLE EVERYTHING ANYMORE. SAVE YOURSELVES THE FRUSTRATION... AND US!


3/4HADBEENELIMINATED - THEOLOGY (CD by Soleilmoon Recordings) *
3/4HADBEENELIMINATED - THE RELIGIOUS EXPERIENCE (LP by Soleilmoon Recordings)
STEINBRÜCHEL - BASIS (CD by Room40)
SEBASTIEN ROUX - REVERS OUEST (CD by Room40) *
MIKE DAILY - ALARM (2CD + novel by Stovepiper Books Media) *
DAVID WATSON - FINGERING AN IDEA (2CD by Experimental Intermedia) *
BJNILSEN/Z'EV - 22.22 (CD by Ideal Recordings) *
DEAD MACHINES - PLAYS KWAIDAN (7" by Ideal Recordings)
MANPACK VARIANT - STICKY WICKETS (CD by Digitalis Industries)
COH - STRINGS (2CD by Raster-Noton)
STEVE PETERS - OCCASIONAL MUSIC (CD by Palace Of Light)
GOGOO - LONG, LONTAIN (CD by Baskaru)
OH ASTRO - CHAMPIONS OF WONDER (CD by Illegal Art)
FEAR FALLS BURNING & BIRCHVILLE CAT MOTEL (CD by Conspiracy Records)
UTON - ALITAJU YLIMINA (LP by Dekorder)
KUPPUU - UNILINTTU (LP by Dekorder)
BLACK TO COMM - WIR KÖNNEN LEIDER NICHT EIN BISSCHEN MEHR ZU TUN (2LP by Dekorder)
BLACK TO COMM/AOSUKE - SPLIT (LP by Dekorder)
TOM HALL - FLOATS (CD, private) *
DARREN MCCLURE - SOFTENED EDGES (CDR by The Land Of) *
MILLISECONDE TOPOGRAPHIE - TRICYCLE (DVD by Ekumen)
TIGRICS - SYNKI (CDR by Highpoint Lowlife) *
NIHIL COMMUNICATION - WE ARE VIOLENT (CDR by Edgetone Records) *
ASTRO - COSMIC MOSQUE ON THE MAGICAL MOUNTAIN TOP (CDR by 8mm Records) *
PEE IN MY FACE WITH SURGERY - URINE CAKES (CDR by 8mm Records)
JUSTICE YELDHAM & THE DYNAMIC RIBBON DEVICE (7" by 8mm Records)
BONEMACHINE - RIGHT NOW! (CDr by Ambolthue Records)
KENJI SIRATORI - FUTURE FREEDOM (CDr by Ambolthue Records)
ACOLYTES ACTION SQUAD - WINKLE TIME (CDR by Early Winter Recordings) *
THICK WISPS (CDR, private release) *
SPRUIT - THE DIRECTOR'S CUT (3"CDR, self-released)
DELICATESSEN: A TASTE OF [WALNUT + LOCUST] (3"CDR by Walnut + Locust)
FREIBAND & COLIN TUDOR - PANTONES (3" CD-R by Moll)
FREIBAND & RADBOUD MENS - GARAGE SALES (3" CD-R by Moll)
FRANS DE WAARD - PROFIELDEEL ZES (3" CD-R by Moll)
KAPOTTE MUZIEK - # 103: TILBURG (3" CD-R by Moll)
IZARZUGAZA & KAKOFUNK & TUSURI & XEDH - BILEKIDU (MP3 by Digital Biotope) *
EDORTA IZARZUGAZA - AUTOERREGISTROA (CDR by Hamaika)
LOTY NEGARTI & AL KARPENTER - DISCURSO SOLITARIO (MP3 by Ruidemos)
THROUROOF - THE CIRCLE OF BAD ATTITUDES (MP3 by Resting Bell)
K.M. KREBS - SYMMETRIES (MP3 by Resting Bell)
STENO - SECOND-HAND FURNTITURE (MP3 by Mr.Mutt)

3/4HADBEENELIMINATED - THEOLOGY (CD by Soleilmoon Recordings)
3/4HADBEENELIMINATED - THE RELIGIOUS EXPERIENCE (LP by Soleilmoon Recordings)
Following their two excellent CDs (on Bowindo and Hapna) I was a bit disappointed when I saw 3/4HadBeenEliminated live. Quite loud, which didn't do the delicacy of the CDs right, I thought. I was quite surprised to see their latest releases on Soleilmoon Recordings, which seems an odd choice for the label. 3/4HadBeenEliminated consists of Stefano Pilia, Claudio Rocchetti, Valerio Tricoli and Tony Arrabito, and with some imagination you could say that they are a rock band. Well, an expanded rock band that crosses many lines: post rock, singer songwriter, improvisation and above all musique concrete collage techniques. Maybe the stage isn't their place but they should be safely stuck in the studio, where they can freely experiment with sound. Each member plays a wide variety of instruments, except Arrabito, who is just credited for drums. Inside the studio they find a safe place to improvise their music, but not as an end, but as a start. Recordings are separated, deconstructed
  and
rebuilt into something. These two new releases, both lavishly packed with all sorts of nice paper, are best heard together, as mirrors of each other. The CD (limited to 450 copies) and the LP (limited to 225 copies) have however their differences, but the provide a nice view in the kitchen of 3/4HadBeenEliminated. The CD is perhaps more complex in approach. We hear lots of processed guitars, percussive sounds, organ like drones but also contact microphones scratching the surface alongside humming vocals. Not really rock by any rock standard, even when things seems to hint that way. Seemingly things move from atmosphere to atmosphere, gradually, slow, but without doubt moving.
The LP is more singleminded, evolving around rhythmic drone loops and vocals. The start is almost in Goem-like tradition, but with vocals.
>From then on, things stay more easy, with less
complex moves, and more in the rhythm area, although of course you could never move your feet to this. It sounds like this is less edited and, perhaps, perhaps, captures their live sound. Both releases are different from eachother, but complement eachother quite well. Great releases. (FdW)
Address:
http://www.soleilmoon.com

STEINBRÜCHEL - BASIS (CD by Room40)
SEBASTIEN ROUX - REVERS OUEST (CD by Room40)
Despite being around for many, many years and his many releases, (Ralph) Steinbrüchel's name is not as house hold as say Fennesz, Deupree or Chartier, while his work easily matches theirs. Some people will never be famous, against all odds, I must say sadly. The basis for 'Basis' is sound from other people, in this case the guitar of Lawrence English, Ben Frost and Bernd Schurer. Only in the latter' case it's something unreleased, in the other two cases it's material that has been released, but in all three cases the original comes from acoustic instruments. I must admit I found this out after playing the CD for the first time (I usually read all the information later on). I scribbled down 'very ambient' as a first reaction to the album, and perhaps the most ambient work I heard from Steinbrüchel. His music, warm, glitch like, never was loud or menacing, but it always seemed to have a rough edge. That seems to be gone on this one. In slow moving music, he works his way around
  the
material, feeding it through some computer processing, but only to that extend that the original remains audible - or at least: it has the sense of acoustic instruments. In a way not too dissimilar to the recent material on offer by Machinefabriek, but Steinbrüchel keeps things very peaceful here. Maybe a bit too much for my taste, and I sort of miss the rougher edges of the previous music. Highly atmospheric an textural music, not 'new' in any sense but moving in a new direction, to which at least I have to get used to.
Also the name Sebastien Roux shouldn't be unknown, for he has had released on 12K, Apestaartje and Room40 before, and collaborative works as Heller an with Sogar and Greg Davis. The work here is a radiophonic work 'drawing a futuristic and mental description of the Nantes city', so (?) it includes voices, although what exactly they have to see remains a mystery to me. Not just because my French is in adequate, but also because it's not always easy to understand. I tried deciphering what is written on the cover, which sadly is a recurring problem with the releases on Room40, and it deems to me that Roux uses a variety of 'real' instruments which he mixes in with the music, alongside treated fragments of the spoken text and perhaps additional electronic sounds. I let go of the text and decided to listen to work as a piece of music. Unlike much of his previous work, Roux moves away from the microsound here and going back to the 'classical' acousmatic music, through an extensive
 use of
collage techniques, cut and paste of sounds, moving around of instruments, voices dropping in and out. I must say I quite enjoyed this work, not because of it being something new, but for sheer fact it moves away from his previous work as well as incorporating some of the techniques applied in microsound. Even when things are unclear what they are about, it's a great work, of classical beauty even. (FdW)
Address:
http://www.room40.org

MIKE DAILY - ALARM (2CD + novel by Stovepiper Books Media)
Of course I am highly flattered that because I devote some words to music every week, people also think I can review DVDs with experimental film. Well, I am not the best judge in the world for that. And novels? Well, novels is something I can't review at all. I can read novels, I can say wether I like them or not, but to place inside a tradition, or outside for that matter, or say something about metaphors used, the hidden layers or be a literary critic is hard for me, let's impossible. So the 212 page novel by Mike Daily is a bit lost on me. It's about one Mike O'Grady who is a lost in his life following the september 11, 2001 attacks. It's about getting a new job, actually two jobs, his girl friend, his boss at the coffee house, the open mike nights there, the people performing and a planned move to Portland. It's a nice read, and since I was in the USA only very recently some of the scenery from coffee houses looks familiar, bringing back nice memories. But what the book i
 s about,
exactly, is a bit unclear to me. I should read more, probably. Over to the music then. O'Grady is the name of the band (also of the main actor in the book) in which Mike Daily is the signer/vocalist/reciter. He recites texts from his 'Alarm' novel and the backdrop is highly free improvisational music, albeit of a traditional kind. Don't play this music when reading the book, as it will surely distract you (at least it for me). There is a live disc of heavy duty free music, and the vocalist telling fast his lines. This is not too well spend on me. As an 'audio book', I prefer the studio disc. The music is pushed more to the background and the text stands more to it. Various layers of voice are used and thus creates a kind of hörspiel, with an intimate close reading of the text. That's something I actually liked very much. That CD would have been just nice enough by itself. Ok, so next time, please no novels for review. (FdW)
Address:
http://www.myspace.com/alarmdailynovel

DAVID WATSON - FINGERING AN IDEA (2CD by Experimental Intermedia)
Whoever David Watson is doesn't become very clear. But he's from Australia and it seems that his two prime instruments, well at least covered on this release is bagpipes and guitar. Both have a single CD at their disposal here, and the result is quite different. 'Dexter' is the first disc and it has the bagpipes. It's been a while since I last heard that instrument, probably on a Nocturnal Emissions disc, but if you think of it, it's the perfect instrument to play drone music on. There are three recordings here, blending together in a natural way. There is an ensemble piece, a multi-tracked solo piece and one with recorded material going through an eight-channel MSP patch. Cut into eight pieces this is wonderful drone music, slowly moving and changing, almost in a Phill Niblock like manner (he's the man from the label, so go figure). Absolute great stuff and nothing outdated or old-fashioned, or whatever you think of bagpipes.
The other disc is 'Sinister' which has guitar music and it's not like 'Dexter' at all. Also eight pieces of electric and acoustic guitar playing, but improvised, strumming away the strings. Nice, but it lacks tension as far as I can see, and makes it a bit of pointless exercise to these ears, certainly when it's following the master work of 'Dexter'. Two totally different things going on here, which is fine of course, but it's in this case great and less great. (FdW)
Address:
http://www.xirecords.org

BJNILSEN/Z'EV - 22.22 (CD by Ideal Recordings)
DEAD MACHINES - PLAYS KWAIDAN (7" by Ideal Recordings)
Three tracks, each of exactly twenty-two minutes and twenty-two seconds. This is not a work of collaboration, but two sides of the coin called drone music. Each of the players is a renowned player in this field, yet the outcome is quite different. BJNilsen, best known for his releases on Touch, presents an eerie, quiet piece solely based on treated field recordings. Where others in this week's issue fail to succeed in using field recordings into their music, BJ Nilsen succeeds wonderfully well. Highly atmospheric, without letting the transformations take over, nor keeping the field recordings too recognizable. A very fine piece. Drone music also comes from Z'EV, who these days may seem to be more into creating electronic music, but here returns to using metallic percussion alongside electronic treatments. Rumble from the below surface form the basis of the material, but slight treatments create a long sustain, at times, on the sounds, which add up to a mighty powerful piece o
 f trance
inducing drone music. A good combination of various types of drone music. However I don't understand why there is a third track of equal length, but with seventeen minutes of silence and five minutes of Z'EV like music. I thought that gimmick of silence on CDs was more than explored by now.
Perhaps related, but on a different format is the 7" by Dead Machines which is a side project of John Olsen (Wolf Eyes) and his wife Tovah (of Wooden Wand & The Vanishing Voice). It's my first introduction to their music. I'm not sure if the 7" format is right for such an introduction, but what I hear is quite pleasing stuff. Nothing joyful, as this is the crossroad where drone and industrial music meet up. Not much is happening in the underworld of drones and occasional sound, but what happens is surely quite menacing. There is an underpinning menace, something that is going to capture you, but you are not sure what it is. Unlike the trance of Z'EV, the beauty of BJNilsen, Dead Machines represent the dark side of drone, or rather the morbid side of drone music. As a trilogy of various types of drone music, it makes a damn fine thing. (FdW)
Address:
http://www.idealrecordings.com

MANPACK VARIANT - STICKY WICKETS (CD by Digitalis Industries)
Manpack Variant- Jaime Fennelly (Peeesseye, peeinmyfacewithsurgery, Phantom Limb & Bison) and Chris Peck, original artwork (nice!) by Jason McLean. Let us reject the authorities - for example post-modernity's rejection of meta-narratives, the dissolution of the boundaries between high and low(popular) art - the rejection of logic and reason itself - Wiki 'Situationists' and 'Pataphysics' - all this lies over some epistemological horizon. Rationality is now a consumptive solipsistic movement/power, we have strata of meaning and knowledge^ from DNA to Excel - if we remove all justifications from these activities- if we are left with anything at all, its description - in an objective science of communication is called noise. Noise is arbitrary and carries no information - like junk code, junk DNA - its presence is manifest, simple, gratuitously free, though it might have a source, a history and motivation - placed upon it - it is like a signifier before the  signified. This is e
 ssential
to understanding the 'philosophy' of Noise in its first and continuing Japanese incarnations. Its intention is minimized, any development then ^ say rhythm - crescendo- diminuendo - if found at all should be capable of any, all, or no explanation.  The first (live) track of Sticky Wickets does just this. It is beautifully absurd, it shines like 'the beach beneath the streets'. Unfortunately what follows in subsequent tracks is not live- as a living in and aware of death which is the fact of life - the fact of life as the ignorance of ones birth, sexuality (why this here now particular act before psychology or psychoanalysis) and death- which is contra-factual life, are pre-meditated compositions, it is organisms/organisation of sound, an orgasm and not a cry, becomes neo-classical, a body with organs and codes- no longer noise,  it fits in with the terms - electronica, experimental, avant garde  (sex act) but only in the post Fukuyama-ian sense. (jliat)
Address:
http://www.digitalisindustries.comickywicket.com

COH - STRINGS (2CD by Raster-Noton)
And you, Coh? Even you? The piano, as noted, the instrument of 2007, plays a small role on the latest release of Coh, a.k.a. Ivan Pavlov. It sounds, certainly in the opening piece, like he is following this trend of careful, computer treated piano music of this year, but we must realize that he recorded the used piano sounds in 2001, when he was working on his 'Seasons' project. Also, the piano is only one of the stringed instruments used here. Two piano tracks, two guitar tracks and three tracks using the saz and the oud, both Arabic string instruments. To be honest the least impressive tracks were the guitar pieces. Quite distorted and fuzzy is what they sound like. Coh was in a metal band as a teenager, but don't tell the world. The piano pieces are soft and careful and 'andante facile'. All of the pieces on disc one have classical notions like this, which is quite funny, and reminded me of hearing classical music on the radio when my father tuned in to the classical stati
 on. A
mysterious language, a bit like the music of Coh sometimes is. The fine line of where computer processing stops and the real instruments begins - or vice versa - is hard to draw. It's been a while since I last his music, or may not have heard everything he has done, but it seems to me that this work is set a bit outside the rest of his work, incorporating effectively real instruments and computer sound, say more like the 'SU-U' piece on the disc two (actually a mini CD), which had a great ambient opening, before
bouncing apart in particles flying about. (FdW)
Address:
http://www.raster-noton-de

STEVE PETERS - OCCASIONAL MUSIC (CD by Palace Of Light)
Despite being around for some many years inside the alternative music scene, both in the serious sort of academic way and the more alternative alternative electronic music, there hasn't been many releases by Steve Peters. Recently there was 'Three Rooms' on Sirr-ecords (see Vital Weekly 584), and that was perhaps a bit what his work was about: three long pieces of minimal pieces, partly based on field recordings, partly on real instruments. But like most composers, Peters has composed over the years also pieces for special occasions, like a film or a dance. Usually short and hard to release, although I doubt wether Peters thinks in terms of releasing when composing. Music for the occasion that is, so
'Occasional Music' fills in the hole with nine of these pieces, which are not really related, but perhaps make a nice introduction to the musical language of Peters. Music that sometimes consists of one instrument, like 'Paris, once' which is a solo piano piece, but also pieces with frame drum, suling, suling gambuh, processing, cornet and saxophone in the Gamelan like pieces of 'Courtship Rituals'. Going from Satie like piano playing to ethnic influenced music, this is hardly a big step, as things are usually mellow in approach. The minimalist aspect of Peters is carried throughout here, which ever route he chooses for his journey. So perhaps it's not the best introduction if you are unfamiliar with his music, but if ethnic influenced ambient like music has your interest, than you will surely find this of much liking. And if you are won-over fan, than you may find some pleasant surprises in here. (FdW)
Address:
http://www.palaceoflights.com

GOGOO - LONG, LONTAIN (CD by Baskaru)
French label Baskaru is small but it has brought us already some nice music by ENT, Urkuma, Lawrence English and (etre), and if there is something such as line in these releases then it's probably the word glitch. Well, that and the word 'warm'. Gabriel Hernandez (1979 in Grenoble, France) works as Gogoo, and started to play the guitar but very quickly moved to the computer and with his cousin he formed Simagree. He has had a couple of CDR, MP3 and compilation appearances, but somehow I don't think I came across his name before. On his debut 'Long, Lointain', he offers ten short pieces of field recordings, found sounds and a whole bunch of instruments, like a guitar, a melodica, carillon, piano, organ and of course the never far away laptop. What he does here is actually quite nice, really pleasant to hear, but at the same time nothing much new under the sun. The processed rain falls, wind clapping the window, or whatever birds has flown, it's music that at least in the world
  of
Vital
Weekly is a common place. A bit folktronic like these days, I could add, this could be slightly rougher sketches for the likes of Tape or Stephan Mathieu. Not an entirely as refined, but still delicate, warm and glitch like enough. It's surely all quite nice, but it raises for me a question: what's next? (FdW)
Address:
http://baskaru.com

OH ASTRO - CHAMPIONS OF WONDER (CD by Illegal Art)
Only vaguely I remember the name Jane Dowe and her CDs for Mille Plateaux and Illegal Art, but I totally forgot what they were about. She is now married to Hank Hofler (who actually performed as Jane Dowe, to make life a bit more confusing) and together they are Oh Astro. Like with so many of the releases on Illegal Art, this too is an effective plunder of popmusic. Is that 'Hello Fuji Boy' sampled from that dreary piece of crap by Lionel Ritchie? Applaus for the 'Getting Away' version (?), cover (?) by Electronic, or a similar approach to 'Xanadu'. Chopped up, partly recognizable, rhythmic but experimental enough, this is plunderphonics as I like them. Not some speeches from radio and TV, set some lame lounge music, but effectively reworking big poptunes into something that as good and fresh as the original, or effectively making fun of it. But that's only half the story. There is also a lovely children song in the form of 40s music, sung by their own daughter Lucy. House mu
 sic is
never far away for Oh Astro, making this a most danceable release, which at the same time is funny, intelligent and downright a great release. (FdW)
Address:
http://www.illegalart.net

FEAR FALLS BURNING & BIRCHVILLE CAT MOTEL (CD by Conspiracy Records)
One of the things that Dirk Serries took from his old life as Vidna Obmana into the new carnation as Fear Falls Burning is a love of working with other people. He recently released a 5LP set where ten different artists rework his material, and no doubt from all these contacts he came to collaborate with Campbell Kneale, also known as Birchville Cat Motel from New Zealand, and no doubt an equally busy bee. It's a bit hard to tell how this was conceived, but my best guess is that this is a by-product of the previous record set. Although perhaps by-product is not the right away, as this is full work in it's own right. It seems that Kneale takes the Fear Falls Burning guitar music into his own territory, that of 'cheap-o effect pedals' and '8 bit mono field' while on the job with his own electric guitars and motorised acoustic guitars (and drums it says on the cover, where are they?) and create a monster of drone music, metallic ringing and distorted. Working in straight lines th
 is one,
building, climbing, working towards that large crescendo, and then leaving the proceedings in an equally slow pace (well, not entirely equal, but you get my drift). The original from Fear Falls Burning seems to be swamped away here, but no doubt he did his bit too add to the distorted mayhem (looking at his recent work with Nadja, this might not be a surprise). One hell of a work, moving away from the more 'usual' burnings, and certainly something to look forward to in the future, if more of these collaborations will unfold. (FdW)
Address:
http://www.conspiracyrecords.com

UTON - ALITAJU YLIMINA (LP by Dekorder)
KUPPUU - UNILINTTU (LP by Dekorder)
BLACK TO COMM - WIR KÖNNEN LEIDER NICHT EIN BISSCHEN MEHR ZU TUN (2LP by Dekorder)
BLACK TO COMM/AOSUKE - SPLIT (LP by Dekorder)
All the releases on the Hamburg-based label Dekorder are wonderfully packed in full-colour covers, often with very little or no written information on it, so that the images can fully unfold their beauty. On the cover of "Alitaju Ylimina" is a drawing by Jani Hirvonen, the man behind the Uton-moniker. It's one of those very colourful, child-like, semi-figurative ornamental drawings, which can be found in similar form on releases by Lau Nau or Kemialliset Ystävät. And these names also give a first idea of Uton's sound. He hails from Finland, too and already has a lot of releases out (most of them unknown to me, though), on labels such as Jewelled Antler, Pseudo Arcana or Digitalis. His music is some sort of far-out lo-fi drone, mostly created with acoustic instruments, which are mostly obscured by effects and the over-saturated recording. One might nag about the flutes, fake tribal percussion and throat singing, which appear occasionally, but the overall quirkiness of the musi
 c
ultimately makes any of these complaints seem pointless. A recent review of this LP rightly pointed out, that the primary quality of Uton's music is being slightly out of focus and indeed it is the free-form approach, the apparent lack of interest in conventional compositional structures and above all the heavily blurred lo-fi sound, which drowns everything in a haze of tape hiss, that make Uton's drones strangely attractive after all.
Kuupuu is the name chosen by Jonna Karanka from Helsinki, who is also involved in other projects such as Avarus, Maniacs Dream, Hertta Lussu Ässä, Kokkiva Poliisi and several others. After last year's "Yökehrä", "Unilintu" is her second release on Dekorder, and both compile material from (by now probably long out-of-reach) CD-Rs and tapes. Compared to Uton, her music is more introspective, made with a wide range of acoustic instruments, voice, cheap electronics and toys and continuously shifting between harsh noisy drones and fragile improv clatter, often with a song-like quality, but rarely actually turning into a consistent tune. The sound is usually a bit muffled and together with Jonna singing and whispering in her native language, with its soft intonation and all its beautiful sharp sounds and long vowels, this adds a highly intimate quality to these tracks. Despite her way of singing, her frequent use of toys, and the simple compositional structures of her pieces, I wou
 ld
hesitate to call Kuupuu's approach to sound and composition naïve, child- or even pixie-like, as it can be read here and there in reviews. There is, however, something raw and very direct to it that evokes an atmosphere of joyful curiosity on some tracks and introvert, monochrome intensity on others.
Although the music of label owner Marc Richter's solo project Black to Comm and Aosuke, a duo of Torben Knopp and Ulf Schütte (the latter also operates the label Tape Tektoniks), is, in a way, more refined than that of Uton and Kuupuu, they all share similar aesthetic sensibilities and a love for a warm, emotionally charged sound. The title of Black to Comm's double LP (again beautifully packed in a full-colour gatefold cover) recalls the language of poorly translated user manuals and ultimately helpless service departments and should win the prize as this year's best album title, along with Jazkamer's "Balls the Size of Texas, Liver the Size of Brazil." Recorded in 2005 and 2006 with acoustic instruments and analogue gear (organs, tape loops, feedback, voice, etc.) plus some digital editing, these tracks offer drone music of the heavier kind, not particularly noisy, but dense and massive. As they are usually build around one single sustained tone or chord, there is something
monumental to them, but Black to Comm works out a fine balance between sonic intensity and elegant beauty. This is most explicit in "Happy Brown Lego Star", which all of a sudden, yet almost seamlessly, changes its tone and shifts from a thick, blurred drone to relaxed guitar and trumpet sounds (provided by Renate Nikolaus and Gregory Büttner), accompanied by soft concrete rumbling. However, this balance is a characteristic feature of all the tracks on "Wir können leider.", inscribed into the manifold layering of sounds and fusing subtlety and massive sonic presence into a mesmerizing amalgamation.
Black to Comm's side of the split LP continues in this vein, with another elegant one-tone organ drone, which starts out soft and rippling and then rapidly gains momentum a few minutes into the piece. The second track stands out here, as it is created with voice and effects only and recalls similar pieces by Kuupuu, but is still less raw than the latter and adds a new and less heavy shade to Black to Comm's aesthetic. Aosuke combine the melancholic shimmer of slightly fuzzy guitars and gently pulsating delay patterns with processed vocal snippets and occasional electronic additions. Their tracks surprise with reduced, yet highly beautiful melodies woven into a fabric of warm drones and create a pleasantly relaxed atmosphere. This split LP is Aosuke's second release after last year's "Monotone Spirits" album (unfortunately unheard by me yet) and they are definitely worth keeping an eye on, as their blend of drone and melody is among the best I've come across recently, avoiding
  the
arbitrariness of much predominantly digital drone music, while at the same time not opting for the charm of an ostentatious lo-fi sound. (MSS)
Address:
http://www.dekorder.com

TOM HALL - FLOATS (CD, private)
DARREN MCCLURE - SOFTENED EDGES (CDR by The Land Of)
Only quite recently we reviewed the CD 'Fleure' by Tom Hall from Australia. That CD used sounds from the Story Bridge in Brisbane. His new CD, 'Floats' doesn't seem to have such a conceptual angle, except that 'all tracks are extracts from live recording sessions consisting of processed keyboard'. I am not sure if keyboard here is meant to be the same as piano, but somehow I don't think so. More an electronic keyboard of whatever nature. Things start out alright: glitchy ambient electronics, gliding tones, that sort of thing. Warm, delicate, all those keywords apply here. All fine, but after the fourth track, I sort of thought, it could be using something extra, something to happen, move out of the some sketch like material which remains the same throughout. Unfortunately that doesn't happen. Things remain the same until the full eight tracks are completed. That is a pity since the material itself, a few pieces are quite alright, but as a whole it didn't strike me as particul
 ar
strong.
Normally I don't lump releases together, but I played the Darren McClure release straight after the one from Tom Hall, and although a bit different in approach, there are also similarities to be spotted. First of the differences, which lie mainly in the use of field recordings. Rain, thunder, voices and tunnel ambience. That is: it's good that the label informs us of such things, because otherwise we may not have noticed. That's where the similarities come in: indeed 'softened edges' around here indeed. McClure feeds all his sounds through his software and plays around with them in a similar soft, warm, glitchy, careful bath that Hall uses. Although there is more variation around here than on the Hall disc, I couldn't help noticing that much of it was similar in approach. A few bumps, some light hearted sounds of rain pissing (not pouring) down, a thunder being transformed into a neat drone. Not bad at all, but it's been done and said before, and that's a bit of pity. (FdW)
Address:
http://www.tomhall.com.au
Address: http://www.thelandof.org

MILLISECONDE TOPOGRAPHIE - TRICYCLE (DVD by Ekumen)
Following the three very limited releases on CDR by Milliseconde Topographie which I reviewed in Vital Weekly 559, there is now a full length DVD release, pressed and all. Milliseconde Topographie, a duo from Montreal, work here together on both the music and the visual aspects of the project. The DVD is divided in three parts, of which the final one is just audio. Like I am stating elsewhere, I am of course highly flattered to review stuff like this, but also video art is not my speciality. I have not enough (or none at all, whichever you prefer) knowledge of the what it is, the possibilities, the techniques and the history. This all makes it hard to say something about the visual part of it. The images are processed by computer means, over layered with other images and text. Seasides, trees, and abstract images. I can only say something in relation to the music, and that is a fine combination. Milliseconde Topographie work with processed musical instruments, electronics, an
 d above
all computers. Things hiss, crack, glitch like there is no tomorrow. Warm, glitchy music that fits the images well. No, let me rephrase that: the images fit the music well. Best watched in a darkened room, with the music connected to your amplifier, unless of course you have a nice DVD set up at home. Late night visual and musical poetry, and better than the crap on TV anyway. (FdW)
Address:
http://www.ekumen.com

TIGRICS - SYNKI (CDR by Highpoint Lowlife)
Things have been quiet for Highpoint Lowlife, for reasons unclear, but here they are again. I can't remember that this label ever released a CDR, but here it is. Maybe a sign of market collapsing or perhaps Tigrics is not so well-known? It's a name we heard before, as Robert Bereznyei hails from Budapest and has had releases before. Besides the format there is also another change for the label, but one we could have perhaps seen coming: the music is less uniform with a lot (not all, not all) music on this label. Tigrics uses field recordings which he feeds through his own software for the Nord Micro Modular synthesizer. The music turns out to be a nice combination of electronic, rhythmic music in combination with audible and recognizable field recordings. Some of the tracks may be a bit long for what they have to offer content wise, but a track like 'Jatzkin' bridges both ends quite nicely. Music wise this is quite far away from the usual melancholic minor keys cum break rhyt
 hms, the
IDM of this label, so both artist and label deliver a nice job. (FdW)
Address:
http://www.highpointlowlife.com

NIHIL COMMUNICATION - WE ARE VIOLENT (CDR by Edgetone Records)
The press blurb says that the 'instrumentation varies dependent on mood and atmosphere' for Nihil Communication, and that the band 'may be comprise of Tom Nunn's T-Rodimba, synthesizers, percussion and digital effects'. So there is your answer. Nihil Communication equals Tom Nunn. Although the title is 'We Are Violent', this has nothing in common with violence, as Nihil Communication plays ambient music, but of a darker kind. Not the big wash up music, the near new age kind of ambient, but the pleasant disturbing kind of ambient, the one with that rough edge to it. Music that in the past came from the likes of Illusion Of Safety or Lustmord, and these days find their way into the Scandinavian regions of Cold Meat Industry or in Italy's Old Europa Cafe. Nihil Communication is in that respect not something new, but the outcome of his work is actually quite good. Dark, tense and intense, atmospheric, slightly mysterious and with a nice and effective use of reverb. Nice indeed. (
 FdW)
Address:
http://www.edgetonerecords.com

ASTRO - COSMIC MOSQUE ON THE MAGICAL MOUNTAIN TOP (CDR by 8mm Records)
PEE IN MY FACE WITH SURGERY - URINE CAKES (CDR by 8mm Records)
JUSTICE YELDHAM & THE DYNAMIC RIBBON DEVICE (7" by 8mm Records)
The work of Hiroshi Hasegawa, formerly of C.C.C.C. but these days working as Astro has been around quite a lot. I am pretty sure I only heard a small portion, tapping into the system every now and then. It's one of those things I can't remember when I heard the first time. It's a question I asked myself when I was listening to the new release 'Cosmic Mosque On The Magical Mountain Top' and the reason for this question lies in the fact that it seems that there hasn't been much progress in the concept of Astro. One piece, forty minutes, played on a single instrument, the EMS synthesizer (not live but layered in the studio and probably several lines of sound effects) and the music is the usual cross-over between the louder and industrial material in combination with psychedelic sounds, the cosmic connection between Conrad Schnitzler and Throbbing Gristle - if you catch my drift. It's actually a nice one, this one, top heavy drone music, with a touch of experimentalism, but as su
 ch I
didn't see much difference with any of the previous releases, but then: I only heard a small portion of that.
Running in the contest for stupid band names is Pee In My Face With Surgery. I honestly tried to read the text that came with the CDR and tried to understand the press text, but I failed on both accounts, I think. It might (!) be that there is a bunch of real songs by the oddly named band and a bunch of covers by other of their work. But who does what? It beats me. Things are about vocals, voices, hummings, screamings and a whole array of lo-fi electronics (feedback, rhythm, noise, shortwave). I'd like to say that's all highly personal, different and above all great, but I fear that the message is a bit lost on me here. It's not bad actually, this lo-fi noise affair.
Behind Justice Yeldham & The Dynamic Ribbon Device is Lucas Abela, a kind man to help you when it comes to pressing CDs, but also a performing noise artist. These tracks were recorded in Seoul, in South Korea, and show Abela at his best. Screaming, noisy, loud, dirty. It's a pity that the performance element is sadly lacking here, since it's quite something to watch. There is an element of old tape music involved in this noise. Strong as ever, and it works well on a 7". (FdW)
Address:
http://www.8mmrecs.com

BONEMACHINE - RIGHT NOW! (CDr by Ambolthue Records)
KENJI SIRATORI - FUTURE FREEDOM (CDr by Ambolthue Records)
I reviewed a collaboration of Kenji Siratori sometime back (Vital Weekly 594) in which he utilized his rather fierce voice against Federico Barabino's gentle guitar work but this CDr is nothing like - has two tracks of pure noise (yes i'm happy) - the first track could be using, field recordings, as could the second with sufficient morphing from the various effects, both tracks are walls of noise - clatter and shards of sound - perhaps cracking ice and worn machinery tearing itself apart Bone Machine has a sustained rhythm throughout its industrial reverberated wash of industrial clanking, annoying like the alarm that continually sounds at the atomic plant at windscale - now renamed sellafields - well change the name and the radioactivity might go away, anyway as long as you hear the alarm everything is OK - when it stops you,re dead, this then might be a release celebrating the infamous event 50 years ago in the reactor which was being used to make Britain's A Bomb - (hooray
 ! And
God
save the Queen!) 'On the morning of Friday October 11 and at its peak, 11 tonnes of uranium were ablaze.' Hummm - kept that quiet but I digress - that might have helped my coming to terms with the piece - but this all too rhythmical work with its cinema horror voice-overs is not convincing - with the Kenji piece the alarm rhythm (of life) has stopped and we are once more returning to the chaos of atomic particles from whence we accidentally came - nice! (jliat)
Address:
http://www.ambolthue.com

ACOLYTES ACTION SQUAD - WINKLE TIME (CDR by Early Winter Recordings)
It might be of course a matter of concentration, but sometimes there are these releases which I don't get around and the one by Acolytes Action Squad is one of those. They have been around since 1997 and released a cassette, a piece of vinyl and a piece of CD. Now there is a new release from this duo, consisting of The Essence and Ditchus from Sheffield. Now what about the music? I hear elements of improvised music, of drone music, of electronic sound manipulation. Noise, real songs, krautrock, totally fucked up hip hop. There is so much. But there's also female singing here, and everytime I hear that I kept thinking of Nurse With Wound. And that's perhaps the best thing to compare it with. The sheer combination of styles that still work as a whole, the collated elements of various kinds of music, be it a bit cruder that the wounded nurse, makes sense however. You'd be expecting an amalgam of music but it's a curious homogeneity that  is presented here. Strong stuff that made
  curious
about their earlier recordings. (FdW)
Address:
http://www.earlywinterrecordings.co.uk

THICK WISPS (CDR, private release)
Two not so American sounding names here, but they are both from Brooklyn, New York. Giancarlo Bracchi is also known as Mangoon and he 'creates decaying wastelands of sound through processed howls, guttural zombie moans, feedbacking guitar and flushing toilets, whereas Juan Matos Capote is trained as a music and visual artist, with a main interest in circuit bending. The Thick Wisps is their duo and they recorded their music on directly to tape and four track. The latter is used in the five shorter pieces, which are backed by two lengthy improvisations, presented here unedited. The music they present is indeed a summing up of circuit bending and guitar howling feedback, but not as noise based as one could expect from this description. They keep their stuff under control, or perhaps it has to do with the recording quality not being the best around. The improvisations are a bit long, certainly the opening and the closing are way too long for what the actually have on offer. Some
  more
rigid editing could be helpful for this lot of pieces. It's all fairly o.k., but nothing that got stuck in the mind straight away. (FdW)
Address: <
thickwisps@yahoo.com>

SPRUIT - THE DIRECTOR'S CUT (3"CDR, self-released)
Behind the moniker Spruit is one Marc Spruit, who went to the art academy and is  a self taught sound designer and bass player. For his music he uses turntables, electronics, bass, voice and percussion and above all the computer. His self-released 3"CDR is short, only eight minutes. Intentional? Or ran out of ideas? Or perhaps he thought of the equivalent of a 7"? Those eight minutes are covered with eight tracks of quite a noise nature. Things burst, scream, explode and is basically a digital fucked up sound. Perhaps the furious aspect of the music prevents us from wanted more, since the heavy character of the music works well enough. I must say I quite enjoyed the collage like character of the music, jumping all over the place, and at eight minutes it's surely long enough. (FdW)
Address:
http://www.myspace.com.spruit

DELICATESSEN: A TASTE OF [WALNUT + LOCUST] (3"CDR by Walnut + Locust)
An odd and curious little release this one. A compilation of six tracks by six different bands in the time span of twenty minutes. The perfect introduction to six bands. I think they are all from Canada, and they all dabble around in electronic music. Strong rhythms, vocals, deep synths, experimental sounds: all of these in combination with eachother or leaving out one item. Maggot Breeder concentrates just on the synths, Thee Virginal Brides play a track that is basically one long intro, while Cheerleader 69 has a short piece with strings. .cut Featuring Gibet an Pine Tree State Mind Control have the most experimental electronics of this lot, while the closing track by AntiGlück is the most 'poppy' one with a strong rhythm and female vocals. Electronic body music. A nice introduction card of a varied bunch of music. (FdW)
Address:
http://www.walnutlocust.com

FREIBAND & COLIN TUDOR - PANTONES (3" CD-R by Moll)
FREIBAND & RADBOUD MENS - GARAGE SALES (3" CD-R by Moll)
FRANS DE WAARD - PROFIELDEEL ZES (3" CD-R by Moll)
KAPOTTE MUZIEK - # 103: TILBURG (3" CD-R by Moll)
Frans de Waards started Moll (a.k.a. My Own Little Label) earlier this year to release his works, mostly archival pieces, concert recordings or material that just doesn't fit in anywhere else. Now, after some four or five months, Moll catalogue numbers 8 - 11 are out. For "Pantones" Frans de Waard - under his Freiband-moniker - worked together with Colin Tudor. His name might not immediately ring a bell, but he was one of the founding members of Zion Train, and this name could sound familiar after all. Colin Tudor provided the basic sound sources here, which were processed by Freiband and then mixed by Tudor again. Rhythmic structures play a central role here and the first track even has a driving pulse that would not seem totally out of place on a Goem-release, but soon things recede on a microscopic level, get more restrained and ambient-like - abstract digital clicks and drones as one might expect them from Freiband. However, getting what you would expect is not the worst
 thing,
and "Pantones" makes for a pleasant addition to the Moll-catalogue.
"Garage Sales" documents a concert Frans de Waard and Radboud Mens played together at "Garage Festival" in Strahlsund, Germany in 2002. While this is still not material for the dancefloor, things are more energetic here than on "Pantones". Mens and de Waard are working with frequently shifting rhythmic arrangements of crystalline digital sounds, which step into noisy areas now and then, but never go over the top. The sound is warm, and occasional dub-like elements add an unusually organic quality to the music. Again Goem might spring to mind at times, but overall the tracks are built around more complex structures and lots of tiny sounds. Would be great to hear more than 20 minutes of this duo, so let's hope there is more in the archives or future collaborations coming soon.
While "Pantones" and "Garage Sales" were recorded in 2002, "Profieldeel Zes" is very recent - a recording of Frans' concert at Sonic Circuits in Washington DC on September 9th, 2007. It is a remix of his CD "Vijf Profielen" which was issued some months ago on Alluvial and reviewed in Vital Weekly 572. Some sounds are already familiar from that latter work, such as that of an elevator going up and down, but the palette of sounds is broadened by some additional shades, while keeping the same overall subdued quality. Above all, however, this track shows the same fine sense for the balance between original sound (unprocessed recording, that is) and abstraction, which also makes "Vijf Profielen" such a strong piece. This remix does not offer a radically different view of the material, yet it is not merely more of the same either, but presents a convincing variation that can also stand on its own.
Kapotte Muziek is a trio of Roel Meelkop, Peter Duimelinks and Frans de Waard, and they play what might be described as improvised acoustic musique concrete. In September 2007 they set up their tables with all kinds of small objects out in the streets in the Dutch town Tilburg and played an all-acoustic concert (their first one ever) in the middle of the day, with bikes passing and people talking around them, all of which is documented on this CD-R. With its soft clatter and rumble Kapotte Muziek's piece always risks appearing too amorphous and getting lost in the background noises. But then again its this confrontation of deliberately produced concrete sounds and the random sounds of the surrounding that make this recording a pretty interesting document after all. Although there are some videos of the event available online, I really wonder how it might have been to actually see this on location and how the different sounds mixed and interfered in the live setting. Frans is
 right by
calling this a curious item on his website and even if it is not the most engaging work I've heard from Kapotte Muziek going all acoustic is an intriguing enough step for them. (MSS)
Address:
http://www.kormplastics.nl/moll.html

IZARZUGAZA & KAKOFUNK & TUSURI & XEDH - BILEKIDU (MP3 by Digital Biotope)
EDORTA IZARZUGAZA - AUTOERREGISTROA (CDR by Hamaika)
LOTY NEGARTI & AL KARPENTER - DISCURSO SOLITARIO (MP3 by Ruidemos)
A bit clueless why Xedh did put in all the liner notes in Spanish, that is a waste of paper on me. This MP3 release is the result of a laptop jam between four musicians from the Basque country: Edorta Izarzugaza, Terrirri (who is part of Kakofunk), Oier Iruretagoiena (also known as Tüsüri) and Miguel A Garcia (also known as Xedh). I expected this to be quite loud, which it sometimes is, but then they also know how to take back control and let things move more freely, and even treat the path of more silent music. Throughout however things are heavy and loud, and it seems to me that the players don't always interact or even listen to what the others are doing, which is a pity. They should have at least jammed for more than the thirty minutes covered here, and carefully edited the best moments together. Even for a MP3 there could be some quality control and not just the pure documentation of an event.
Edorta Izarzugaza also has solo release on the Basque Hamaika label, which marks his debut, following a track he had on the 'Euskal Interpretatzaile Berriak' release on Antifrost (see Vital Weekly 500). For whatever unknown reason I expected this to be a noise related release, but not so. It's not that the noise thing is completely absent here, as occasionally things burst out with lots of processed feedback, but throughout this was quite an interesting release of processed field recordings, feedback which he sometimes develops into neat dark drone related microsounds. Quite a matured work, me thinks, beating some of the more well-known players in this field with something that is more of his own than others.
Hamaika labelboss Loty Negarti teams up with Al Karpenter, also known as Alvaro Brutus who plays the drums. Negarti himself plays feedback. This is the school of Mattin at work. A live improvisation with howls of feedback and the drums playing in free mode. Probably it was great fun to do, and earsplitting to the whoever watched the proceedings that evening, but it's all a bit lost on the release. Simple, loud, vicious, but somehow it also lacks the tension and attention that good music perhaps requires. (FdW)
Address:
http://digitalbiotope.net
Address: http://www.gatza.org/hamaika.org
Address: http://www.ruidemos.r8.org

THROUROOF - THE CIRCLE OF BAD ATTITUDES (MP3 by Resting Bell)
K.M. KREBS - SYMMETRIES (MP3 by Resting Bell)
The releases on Resting Bell look quite nice, even considered they are MP3 only. But if you take the right paper and print the covers and the on-body artwork, it actually looks a nice release. I never heard of ThrouRoof, which apparently is an one-man project from Italy. He played a thirty-two minute piece on a broken bontempi organ, guitar feedback and field recordings, going through an analogue mixer, 'dunlop tape delay', echoplex and revox, while applying no overdubbing, no remastering and no digital process, except of course to make it to digital file. It's a bit unclear to me how to control of these inputs with only two hands, but he controls them well. Quite a massive piece of drone music, not sweet or mellow, but quite present and perhaps even loud, like a monolithic rock rolling of a mountain. Say Z'EV with lots more reverb going on his metal sound, or an even more heavily treated Organum in his early days. It seems that's not easy to keep up the tension though, and p
 erhaps
it
would have been an idea to apply some editing.
The name of K.M. Krebs we came across before through his releases on Con-V but also on Treetrunk, Thinner and Nishi. The music on 'Symmetries' was inspired by a live concert from April this year, although I am not sure what that means. Are the three tracks here a rework of that? Do you use the same source material? I don't know. 'Illumination And Division' is quite a nice piece of somewhat melodic ambient music, using however a fair amount of field recordings. 'Surfacing Briefly' seems to be using the same source material (rattling wind chimes perhaps?) but worked out in a more industrial music context, whereas the closing piece (still the same source material?) is the most calm piece, most ambient, less a melodic structure as such. Nice, or perhaps even conceptual with three similar approaches/three different outcomes, but for me a bit too singleminded as such. Nice cover though. (FdW)
Address:
http://www.restingbell.net

STENO - SECOND-HAND FURNTITURE (MP3 by Mr.Mutt)
Frank Metzger's claim to fame is that he is ex Oval. If my memory serves right he was present on the first Oval record 'Wohnton' and not on the subsequent releases, the much applauded classics 'Systemisch' and '94 Diskont'. He has teamed up with Rossano Polidoro and Emiliano Romanelli, who work since many years as Tu M'. 'Their work is focused on the world of CD-skipping-glitch-laptop-pop-music', it says on the cover of the promo. Fine, but why, I asked myself. To work with CD skipping is something we all did to find out how Oval did that on their great masterworks, and not many succeeded in getting close to that sound, let alone to surpass it. And that was all a decade ago. Why try your hands at this now, I wondered? The thirteen tracks here have only a slight connection with popmusic, when they skip a pop CD. What made Oval great, the elegance, the musicality of CD skipping, the rhythm, lacks sadly here. This sounds like Oval on a bad hair day. Noisy, uncontrolled, freaky a
 nd
without everything that could make this into a great CD. It was recorded in 2003-2004, so I imagine they shopped it around to get it released as a CD, but in the end now share it as a MP3: a wise decision. (FdW)
Address:
http://www.mr-mutt.com



1. From: Frans de Waard <frans@beequeen.nl>

forthcoming concerts:

THU20 in Paradox, Tilburg, The Netherlands, 24 October 2007.
http://www.paradoxtilburg.nl/index.php?pid=8&aid=32
THU20 will be this evening: Jos Smolders, Roel Meelkop, Jacques van Bussel, Peter Duimelinks and Frans de Waard

Zebra, Goem|FDW, Slo-Fi, Rechenzentrum and Frans & Roel in the DJ booth in MS Stubnitz, Amsterdam, 1 November 2007
http://www.stubnitz.com/

2. Subject: twisted knister festival and more


twisted knister festival
saturday | oct 27, 2007 | doors: 18.00 h !
spedition | am güterbahnhof | bremen | germany


the vanishing voice (new york)
sudden infant (berlin)
black to comm (hamburg)
floating di morel (berlin)
blue sabbath black fiji (paris)
unchained (new york)
buckettovsissors (frankfurt am main)
v.b. schulzes bernsteinzimmer (bremen)


www.myspace.com/vanishingvoice
www.suddeninfant.com
www.blacktocomm.org
www.zero-project.org/marshy.html
www.myspace.com/bluesabbathblackfiji
buckettovsissors.widerstand.org
www.myspace.com/unachamed
bernsteinzimmer.hunot.de
www.myspace.com/twistedknister
www.spedition-bremen.org

------------------------------------------

friday | nov 9, 2007 | doors: 20.30 h
spedition | am güterbahnhof | bremen | germany


volcano the bear (uk)
luigi archetti & bo wiget (berlin/zurich)


www.brainwashed.com/vtb
www.archettiwiget.net
www.myspace.com/twistedknister
www.spedition-bremen.org
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