вторник, 29 апреля 2008 г.

Vital Weekly 625

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VITAL WEEKLY
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number 625
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week 18
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Vital Weekly, the webcast: we offer a free-to-download weekly webcast as the
audio-supplement to Vital Weekly. Presented as a radio programme with
excerpts from some of the CDs reviewed here (no vinyl or MP3s). It is
available on the site for a limited period of 5 weeks. Download the file to
your MP3 player and enjoy!
Complete track listing here: http://www.vitalweekly.net/podcast.html

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* noted are in this week's pod-cast


CHOP SHOP - OXIDE (CD by 23Five Incorporated) *
GUY GELEM - WORKS (CD by Split Femur Recordings) *
THE HALFTERS - 60 JAHRE D-MARK (CD by Whatness) *
VINCENT BERGERON - PHILOSOPHIE FANTASMAGORIQUE (CD by Critiques Disques)
COLORLIST - LISTS (CD by Off/Still)
MAJA S.K. RATKJE - RIVER MOUTH ECHOES (CD by Tzadik) *
SVARTBAG (CD by Rump Recordings) *
BRIAN LAVELLE - SUPERNATURALIST (CD by EE Tapes) *
TAPE - MILIEU (2LP by Minority Records)
RAYMOND DIJKSTRA - DE GEDACHTE (LP by Le Souffleur)
RAYMOND DIJKSTRA - DE GELOFTE (LP by Le Souffleur)
RP COLLIER - DECONSTRUCTION OF TWILIGHT (CDR, self-released) *
THEE VIRGINAL BRIDES RE/COLLECTION (CDr by walnut + locust)
QUIET AMERICAN - TURNS IN THE SOUTH (2CDR, private release) *
ELEKTRICITEIT = ONZE HOBBY - IK HOOR DE MUZIEK NIET (CDR by Heilskabaal
Records) *
LUPUS GOLEM - PERSUADED BY THE MAN WHO ATE THE PHOENIX (CDR by Twilight
Luggage) *
KALLSUP - ABOVE THE MOUNTAINS (MP3 by Twilight Luggage) *
TORSTEIN WJIIK - FOGGY FOREST (MP3 by Twilight Luggage)
UBEBOET - PRAETER (3"CDR by Con-V) *
M. SWIEZYNSKI - FILMS 2007 (DVD-R, private release)
ROBERTAS KUNDROTAS & GINTAS K - SEPTYNI TILTAI PASAULIO CENTRE (MP3 by
Zeromoon) *

CHOP SHOP - OXIDE (CD by 23Five Incorporated)
This filled me with much pleasure, as I never expected this. Towards the end
of the 80s and in the early 90s, when we were still firm industrial music
lovers, Chop Shop was one of our heroes. Not because he was so incredible
loud, but his loudspeaker installations looked raw and sounded good. No,
actually they sounded 'rusty', as well as a rusty look. Through his speaker
installations Chop Shop, the one man band of Scott Konzelmann fed a blend of
decayed sounds, taken from all sorts of machinery, sonic residue taped on
cheap cassette tape or reel to reel tape machines. Much more serious in his
approach than the average noise maker, Konzelmann was already more a visual
artist than a musician. I have no idea why he 'left' the scene, or why we
didn't hear his name that much in the last ten years, but it's good to hear
'Oxide'. Salvaged from old, damaged tapes, which caused 'flaking, static,
dropouts and print through'. If you never saw or heard a cassette or a reel
tape - and in these
digital days that is probably a lot of people - it's hard to understand what
static or dropouts are. Listening to 'Oxide' is a like being transported
back in time, to the era of cassettes, hiss, when the music dropped a bit
due to an imperfection of the cassette tape. Konzelmann takes all of these
sounds, of pure hiss, of loud machine noise, of decay, of erosion and
creates his 'Oxide' piece with it. He deliberately leaves in the 'unwanted'
breaks, the mistakes and the faults, but his piece is, at least for me who
heard pretty much everything of his 'old' music, a true delight. Great to
see this on CD and becoming more easy to access, but surely its time to out
some of the older releases and have a nostalgic evening of humming noise.
(FdW)
Address: http://www.23five.org

GUY GELEM - WORKS (CD by Split Femur Recordings)
This is the first release for Guy Gelem, who is a player of the guitar and
the cello, which he plays along with the ticking of beats and perhaps a bit
of synthesizers. I must admit I have rather mixed feelings about this
record. On one hand there is the all too familiar beats from the world of
IDM, think Expanding Records and Highpoint Lowlife, and that is the downside
of this album: that is all very predictable. But there is also the side of
the instruments, the guitar and the cello. They have something interesting
to tell. Dramatic, melodic stuff, atmospheric and joyful. When the beats are
absent, such as in 'Birth' this leads to quite nice music, but with the
beats things are a tad too known ground for me. It's pleasant music, well
recorded, well played but not much news under the sun. But it's the sun that
shines so nice today and sitting back, relaxing, this is entirely great
music to have on. (FdW)
Address: http://www.splitfemurrecordings.com

THE HALFTERS - 60 JAHRE D-MARK (CD by Whatness)
Ruediger-Christian (vocals, guitar), Moabit Klos (vocals, small drum,
cymbal) and Don Aqua (vocals, big drum) is the somewhat unusual line up of
The Halfters. I couldn't find much information on them, and what I found
sounded more like visual artists doing music - not an uncommon thing for
releases on Whatness. I must say that 'outsider' seems right in place here.
The Halfters can't really play. Their acoustic guitar, drums and multitude
of vocals are used to play short, naive songs which sounds partly neue
Deutsche Welle like partly no wave inspired, but then all acoustic. Eighteen
songs in the time span of thirty-four minutes. It was all quite nice, but I
must admit that after twenty minutes I also got their art-prank music point.
Not bad, but perhaps a bit too willfully ignorance around this one. Too
thought out to be truly outside, just a bit too clever. (FdW)
Address: http://www.whatness.de

VINCENT BERGERON - PHILOSOPHIE FANTASMAGORIQUE (CD by Critiques Disques)
Listening to the first track 'Philosophie Fantasmagogique', which has
Bergeron singing solo without any instrumentation, I seriously asked myself:
would I halt if I met Bergeron singing on the street. Asking is answering
this question: No. I probably wouldn't. Bergeron has a very characteristic
voice, but this autodidact from Canada is not a great singer. His singing is
often more close to speaking then anything else. But everything changes from
the second piece 'Je m'imagninais...' In this and all the other songs that
follow, Bergeron supplies his vocals with a very bizarre and unheard
'background' of electro-acoustic sounds and music. Background into brackets,
because he opens new dimensions with his curiously assembled music.
Brilliantly done. He uses many different soundsamples for this music. Often
you recognize concrete instruments, other elements are from electronic
origin or recordings treated beyond recognition. I,m totally impressed by
the carpet he weaves in with
plunderphonic approach. Very original collage work, producing in an highly
imaginative music that is totally fascinating. I would qualify his
compositions as songs in the end. And for some reason I associate them with
the world of opera and musical. The eccentric Bergeron creates energetic and
dramatic music and textures, little psycho-dramas. He sings in french most
of time, sometimes a mixture of french and english. I couldn't make much of
it, but the texts are an important element for Bergeron: "Philosophie
Fantasmagorique was composed with an imaginary movie in mind. It includes a
47 pages movie script about an artist realizing is state of being in a
confusing world. All the lyrics were inspired by the movie script story, but
don't always directly relate to it. The sentences wrote themselves in an
hybrid form of English and French. I got used to this new musicality. This
language approach is not a political statement - but it is if you want it
that way. This project is only
something that I hope suggests new ways to explore and a relief for someone
who don't feel understood in this world (that's why I love songs so much)."
Although exploding with ideas and fantasy, in another way his compositions
work a bit one-dimensional in the end and it becomes a bit of just pushing
buttons. But it is impossible not to be impressed by this often hilarious
music, that is compelling and very listenable. Bergeron is a true original
talent, of a kind that is seldomly met. Watch this guy! (DM)
Address: http://www.critiquesdisques.com

COLORLIST - LISTS (CD by Off/Still)
This one whirls very pleasantly into your room. A true surprise. We are
talking here of a quartet from Chicago who surface with a very nice CD. The
nucleus of this group is made up by Charles Rumback (drums, marimba,
guitars) and Charles Gorzcynski (saxophones, harmonium, synth) accompanied
by Brian Bullard and Matthew Gagnon, and several other guests playing
cellos, guitars, bass clarinet, etc. For me, with a background in a
Canterbury music, this music clearly relates to the world of Hugh Hopper,
Robert Wyatt, Terry Riley, etc. In a postrock way they explore in their
sonic excursions a music that shows many faces: ambient , jazz, rock. The
music is carefully put together. Most tracks move on in a slow pace, paying
attention to atmosphere and mood. This is very intuitive and meditative
music. Modest but very self-consciouss and effective. The pieces have
well-balanced arrangements and they are beautifully colored. Nicely
textured. Electronics and the other instruments are interwoven
organically. This album grows after each listening. Very well done. (DM)
Address: http://www.still.org/

MAJA S.K. RATKJE - RIVER MOUTH ECHOES (CD by Tzadik)
Surprises are always more than welcome. Maja Ratkje on Tzadik? Yes, that is
a surprise. But Ratkje offering a score to 'real' musicians, who play
violins, accordion, alto saxophone and double bass? That is a real surprise.
But you start with 'Ox', which is a pretty noise related piece. More
surprises and confusion. In that piece Ratkje processes the alto-saxophone
playing, along with what seems to be sine waves. The ensembles comes in
action 'River Mouth Echoes', the title piece and 'Waves 11B' which is an
orchestral piece. I must admit that I am no lover of semi-serious (well,
real serious of course) modern classical music, as it works on my nerves too
much. It's surely interesting to hear, because it is written by someone whom
we know from a totally different line of work, but in it self these two
pieces didn't do much for me. It would have been interesting to see a total
translation of Ratkje's noise work for these instruments. The remaining four
pieces, 'Ox' included display this
better. Here the combination of 'real' instruments with the electronic
processing of Ratkje delivers some intense music - even when things are
'soft' such as in 'Sinus Seduction (Moods Two)', the oldest of the pieces in
this collection and with 'Ox' and the dreamy, poetic 'Wintergarden' the best
from this collection. (FdW)
Address: http://www.tzadik.com

SVARTBAG (CD by Rump Recordings)
Although Svartbag was mentioned once in Vital Weekly, in 2003, it was in a
concert announcement, but this trio exists longer, since 1996. Yet this is
the first release on CD. Svartbag hail from Denmark and play guitars and
drums. Loud guitars and drums that is. Minimal too. The five pieces all
dwell around the idea of 'minimal' and 'drone' - welcome to spacerock land.
The guitars are fed through looping devices, which allows the band to built
and built their tracks until the reach a jubilee climax, in which it stays
and plays around. It's Velvet Underground (less vocals) meets LaMonte Young
meets krautrock meet E.A.R. - forty years of drone rock minimalism comes by
on this disc, and as such nothing new but hey, what the hell? This is great,
ecstatic music, reminding me of the good ol Vocokesh and F/i. Pounding
drums, heavy guitars that keep ringing in your ears, all placed around with
great care and style, making a fine album. Perhaps an odd ball for Vital
Weekly, but that might be
what attracts me to this heavy lot. Great late night hazy listening music.
(FdW)
Address: http://www.rump.nu

BRIAN LAVELLE - SUPERNATURALIST (CD by EE Tapes)
There was a time when Brian Lavelle was more active than he is these days.
In fact I can't remember putting on a CD by him in quite some time. Perhaps
it's wrong, but I always lumped Lavelle in with "one of the laptop guys",
but listening to 'Supernatural' I think this might not be the right
approach. Lavelle uses electronics, field recordings, synthesizer, piano and
bass guitar for four lengthy cuts of ambient music. Surely there is some
sort of sound processing going which one could classify as 'laptop'
inspired, but that is only really a small part of Lavelle's music. Take one
of the longest pieces here, 'Citadel', which has a firm cemented foundation
of drone synthesizers and (perhaps processed) piano arpeggio on top. Field
recordings - wind perhaps - take care of the rest. Much more ambient than
glitchy microsound. On 'The Bright Day Is Done' bird twitter take care of
that. Lavelle cleverly avoids the path in the forest that says 'new age' and
follows the path that says 'dark
ambient' - it also a path that can be easily found in the forest of all mood
music, but it's dimly light course is one that we follow much more readily
that than the lighter and brighter (and duller) new age one. Slow music, out
of time, beyond space, simply floating weightless around. Great, maybe not
so surprising, ambient music. Perfect rainy day music; start at twilight
preferably. (FdW)
Address: http://www.eetapes.be

TAPE - MILIEU (2LP by Minority Records)
Let me state that I am not a purist when it comes to the format. I like
vinyl, I like CDs, and, for popmusic only, MP3s, so as far as that I am
happy with 'Milieu' by Tape on CD, as reviewed back in Vital Weekly 399:
"The first CD by Tape was reviewed in Vital Weekly 350 and that CD was
received well (even when I didn't write that review). Tape is a trio of the
brother Berthling (Johan and Andreas) and Tomas Hallonsten. They play a wide
variety of instruments from banjo to computer to harmonium to piano to field
recordings. Slow and peaceful melodies played on acoustic guitar and steel
guitar, while the recordings of domestic sounds hoover somewhere in the
back. They list a number of influences, but of all those, I see Gastr Del
Sol fit best, alongside with Jim O'Rourke's solo work. Eight sketch like
pieces of music, intimate yet powerful. Such diverse elements and yet such a
coherent CD. Maybe what Tape does is not new (see Gastr Del Sol, even when
Tape is full on acoustic), but it'
s
of great beauty. It combines experiment and song structures, it combines
structured composition and improvisation. Less is more is the adagio of this
CD. And of course on Hapna, one of the very few labels that is still worth
collecting." It's still a review to stand by. In the meantime Tape produced
more music, had a remix CD, and toured quite extensively, always displaying
their qualities in a soft, pop tone with enough experimental edges. On this
2LP you'll find the original 'Milieu' album plus four tracks that were
produced around the same time, but were not released on tape. The addition
of some vinyl crackles make this altogether even more charming I think -
this album is pressed on yellow vinyl, which looks great, but may not sound
as the best around. It's a most welcome re-issue, which looks great as a
record of course, but it's the timeless music that really makes the
difference. (FdW)
Address: http://www.minorityrecords.com

RAYMOND DIJKSTRA - DE GEDACHTE (LP by Le Souffleur)
RAYMOND DIJKSTRA - DE GELOFTE (LP by Le Souffleur)
Of course I don't like using swear words, but I do use them, usually English
ones. 'Fucking Hell' is what escaped my mouth when I opened the latest box
by Le Souffleur, the label that almost entirely releases the music of its
owner Raymond Dijkstra. Two identical carton boxes (which were, oddly
enough, called 'cassettes' in the days of classical music) of which the top
lid has red velvet with gold print. Inside a thin piece of paper with the
same information and design. One record is called 'De Gedachte' ('the
thought') and one is 'De Gelofte' ('the vow'). That's about as far as
details go these two records. Like with his previous works, there is a
strong similarity between these two new records, and with the previous
releases, but there is an important difference too. Dijkstra moves glass
over glass, while a sort of harmonium plays sparse notes. That is the same
as before, but the harmonium playing seems to be lesser than on the previous
records. It places an accent and nothing much
else. The glass-on-glass is also more sparse and there is a total lack of
sound effects - before it was an old 'space echo' machine, here it's
entirely gone. I must say that these perhaps minor changes sound like
'nothing' to you, but for me it marks some essential differences. This is
almost total acoustic music, of carefully scraping, scratching and touching
of surfaces. Like before there are great similarities between the two
records now available, but I don't think, in an Organum twist or turn,
Dijkstra is playing the same piece twice, like a strict repeat. More over, I
think he actually does play the same piece twice, but that he executes the
two pieces in slightly different ways - just as a classical piece of music
is never the same thing twice. Panta Rhei is what moves Dijkstra -
everything flows. His music is like a river. It seems the same, but it never
really is. Another two, great pieces of vinyl, and a very consistent oeuvre
is built here. (FdW)
Address: http://www.le-souffleur.nl

RP COLLIER - DECONSTRUCTION OF TWILIGHT (CDR, self-released)
A pretty big gap between the previous 'Map Of The Sky' (see Vital Weekly
495) and this new one 'Deconstruction Of Twilight'. On the first one he
played guitars, thumb piano's and toy synthesizers, here it's entirely
reduced to 'ambient guitar' playing. Collier plays notes, quiet and
peaceful, mostly one by one. Much of what I said before, counts here as
well. Not very unique, and creating music for the sake of creating music
that he probably likes to hear. I stuck this one, and even played it on
repeat. It was nice, not great, but it provided a good background for
whatever I was doing around the house. No great listening concentration was
required. and this is indeed quite alright ambient music: aural wallpaper.
(FdW)
Address: http://www.cdbaby.com/rpcollier2

THEE VIRGINAL BRIDES RE/COLLECTION (CDr by walnut + locust)
Back in the 70s the Glide of the Mini Moog gave a characteristic sound which
now dates it to a distinct period of time. Rec/collection does much the
same, though the period is difficult to pin down it's certainly set towards
the end of the last century. at times industrial, yet at others more
structure rhythmically and compositionally. The usual drone/noise with
spoken texts of some kind of religious incident and O.T. readings. T.V.B.
"started in May 2006. A new experiment in droning electronics - the
brainchild of AlBéRiCk, Andy and Oren." but nothing new - only nostalgia. So
lets propose a watershed, a revolution, something new to make noise about -
for industrial is dead! I visited my home town of Birmingham last weekend
which at one time like many cities in northern Europe had its share of old
disused factories- but they are gone - replaced with apartment developments,
wine bars and bistros, secure gated car parking and video entry phones,
along what was once the old disused
canals young professionals sit in cafés drinking Belgian beer or latte, or
jog along the towpath- the old post sorting office is a shopping arcade -
Hugo Boss and Harvey Nics.. so perhaps industrial music like its landscapes
is a thing of a nostalgic past? (jliat)
Address www.myspace.com/theevirginalbrides

QUIET AMERICAN - TURNS IN THE SOUTH (2CDR, private release)
Under the guise of Quiet American, Aaron Ximm releases music that is largely
built from field recordings, with just a little bit of sound processing or
the addition of other sounds. His field recordings are made during trips he
makes into Asia, an area of the world I haven't seen or heard myself. Ximm's
music are like 'soundwalks', in which he walks through a city and tapes
whatever he hears. Some pieces are looped such as the call and response in
'Prelude: Tamil Nadu'. It's a very hypnotic piece of music, trance like, but
subtly changing all the time. The call and response go on for some time,
cars pass, people talk, more cars pass along and then we arrive in the
middle of the city with some pop music, which takes us into the next piece
'Madurai Mani Fold', which is the only 'electronic' piece on this four
track, double CDR (which spans 150 minutes!). The short sounds are on repeat
mode and drift in and out of the mix, changing microscopically, and sounds
like an electronic Steve
Reich piece. 'Four Organs' but then on acid. That would have been enough for
me, but there is two discs in the box, and the second takes the sound walk
again, with some voices that call for prayer (it seems), along with some
very low end drone like sounds. Ximm follows here the same process as on the
first piece on the other disc, so it's a bit hard to relate to that again.
When I was playing this, sunday, it was the first day when temperature in
The Netherlands was over 20 degrees and it felt like a small holiday.
Closing the eyes and hearing these sounds, while mildly sweating doing
nothing, give me the impression of being in Asia. I swear I could almost
smell spices and nice food. As such Ximm succeeds well in telling us a
'story' or rather making the impression through 'audio' of what we could
see. I think one disc is great, and two is a bit too much however. (FdW)
Address: http://www.quietamerican.org

ELEKTRICITEIT = ONZE HOBBY - IK HOOR DE MUZIEK NIET (CDR by Heilskabaal
Records)
This is the follow-up to 'Diodeneiland', a 3" CDR released by Audio Office
Records (see Vital Weekly 617) of the collective called Elektriciteit = Onze
Hobby, who played together in concert on february 8, 2008. Like before they
handed the audio files to Kasper van Hoek for mixing and editing of the
material. More than the previous, or so we are lead to believe, this is an
album of them playing together on their modified electronic toy instruments
with less extensive than before. And that is something that can
unfortunately be heard here. The pieces here are more of an improvised
nature, haphazard like played, all over the place. The third (untitled)
piece reminded me, mainly through the singing, of music by The Hitmachine:
the rhythmmachine ticking the beat, fucked up electronica and speak singing
in a silly, childish way. Listening to the lyrics, this might be the title
track of the release. I think I prefer the more extensive editing and making
this into a more coherent musical
enterprise than this rather free form play. The cover, a booklet with
drawings by all five members is however much nicer than the previous. Time
to find the balance between the two. (FdW)
Address: http://www.heilskabaal.net

LUPUS GOLEM - PERSUADED BY THE MAN WHO ATE THE PHOENIX (CDR by Twilight
Luggage)
KALLSUP - ABOVE THE MOUNTAINS (MP3 by Twilight Luggage)
TORSTEIN WJIIK - FOGGY FOREST (MP3 by Twilight Luggage)
On a new label two releases which involve Scandinavian musicians. The first
is a trio of Hans Kristian Senneseth, Bjorn Kare Berntsen and Andreas
Brandal, who go by the name of Lupus Golem. They play drums, guitar,
recorder, bass and A largely unadorned field recording made while motoring
on a slow-moving houseboat through the famous backwaters of Kerala. One late
afternoon we passed a succession of speakers broadcasting prayers from a
temple at a bend in the canal... Children run along the bank to engage us;
the crew passes the time.
keyboards and the three tracks they recorded show them as a heavy noise
rock band. Feedback flies about while the drums are pounding away like the
step of some heavy Norwegian troll stamping on the ground. Psychedelically
inspired by heavy weight krautrockers, they find as much inspiration in
Sonic Youth or Glenn Branca. After the forty minutes are over one feels only
emptiness, while, oddly enough also full of adrenaline.
As a MP3 comes the release by Kallsup, which is Oscar Jacobson, who is also
a member of Paragraphia and Royal Train, both of which I never heard.
Kallsup means 'mouthful of water' in Sweden and Jacobson works with
feedback. Although Kallsup likes to put up a fair amount of noise, feeding
feedback to the lions of distortion, things work best when he manages to
keep the volume a bit more down for example in the closing 'Last Broadcast'.
Kallsup doesn't always work out his ideas, but rather goes for the full
effect of his noise: the right in your brain stabbing. But I think the
effect of the music can be much better if Kallsup would decide to actually
start composing with the sound, rather than just playing it.
Also as a MP3 is the latest work by Torstein Wjiik, also known as Kjetil
Hanssen. So far much of his work dealt with true, loud noise, but in 'Foggy
Forest' he takes matters into a new territory, and I must say I enjoyed this
much more than much more than any of his previous material. Using voice and
electronics, Wjiik cooks up a forty some minute work of slowly evolving dark
rumble. Feeding his voice, merely producing wind sounds it seems to me,
through what seems some simple audio processors and the end result is a deep
dark ambient piece with some of the more rougher edges than is common in
this area, mainly through some sparse outbursts in the noise end of it.
Perhaps a bit too long, as I can imagine this trimmed down to a nice 3"CDR.
Way to go, Torstein! (FdW)
Address: http://www.twilightluggage.com

UBEBOET - PRAETER (3"CDR by Con-V)
Apart from running the Con-V label Miguel A. Tolosa is also active as a
musician under the guise of Ubeboet. His releases so far has been on CDR and
MP3 formats and he has worked with people like Pablo Reche and Asher. That
might already give you some clue in which direction this goes. The two
pieces here deal with field recordings made in various places in Spain and
opens with a voice singing in what appears to be a church. The following
drones might be taken from a church organ. Both pieces have this angelic
feeling to it. Ubeboet's music was previously a bit more roughly shaped than
the regular drone posse, but here he finds himself along the lines of say
Paul Bradley or Jonathan Coleclough and I must say that, while I don't think
it's all very 'new', this direction suits him better. Dark ambient drone
music, made through digital sound manipulation - but Ubeboet does a very
fine job. Can't understand why he should only want to make twenty-five
copies of this release, as it seems
to
me that more people should be hearing this. (FdW)
Address: http://www.con-v.org

M. SWIEZYNSKI - FILMS 2007 (DVD-R, private release)
It is of course highly flattering that people think that when we write about
music all week, we also might have an opinion on video art or literature.
Can't speak for the others on board, but I am no such homo universalis. I
like to think I know a bit about music, but that's about it. So what can I
do with the DVD-R of M. Swiezyniski, which contains eight films? I can view
them, think about them, even tell you wether I liked them or not, but I
can't say much of how it was made or in what sort of tradition it stands in
the world of film, abstract or not. His films are slow, minimal pictures.
Sometimes it looks like a picture such as 'This Invisible Art Of Memory -
Magic Hour Number 1', with a dark drone like piece of music as it's
soundtrack. I think, it seems, that Swiezynski holds his camera onto a
surface, say a river stream, and films the automated movements of water
passing and then through computer technology changes the color or the speed
to make things partly more abstract and
partly still recognizable what it is. Dreamlike sequences, but which are
very dark. Black, grey, and white are the colors for most of the films. The
best one I thought was 'Mysterious And Invisible', with shot of a forest at
dawn with occasional lights and the in the second part water that moves like
sun light. Music for this film is by Asher. So I quite enjoyed the images on
this disc, but I couldn't possibly say if they are original or new, or from
which tradition they stem from. All I can say is that I enjoyed them. (FdW)
Address: http://theartofmemory.blogspot.com

ROBERTAS KUNDROTAS & GINTAS K - SEPTYNI TILTAI PASAULIO CENTRE (MP3 by
Zeromoon)
The title translates as 'Seven Bridges In The Centre Of The World' and
brings together Lithuania's most active force of laptop glitch, Gintas K,
together with Robertos Kundrotas, who can be held responsible for bringing
new music (as in Vital's world) to the same country, since a long time, when
he started to publish 'Tango' (in 1990). In October 2007 the two of them
performed at an audiovisual poetry festival 'Tarp: Vasaros 5' in Vilnius.
It's a bit hard to say what the texts are about. They are not easy to
understand, even if I would speak Lithuanian. The voice is pushed to the
back and Gintas waves over it a network of sounds - starting rhythmically
but slowly more and more heavy sounds drop in, like washes from the sea
until the voice has entirely disappeared. Towards the end it returns and
things seem to come to a natural conclusion. Quite a heavy piece, which is
unmistakably a live recording which could have perhaps trimmed down a bit
more, but nevertheless is a well rounded
piece. (FdW)
Address: http://www.zeromoon.com

1. From: Benjamin Gwilliam <info@thosesoundsbetween.co.uk>


eine kleine musik
Ben Gwilliam

Artists Unlimited Galerie
2-25 May 2008
opening Fr 2. May, 19.00

'eine kleine musik' is soundartist Ben Gwilliam's first German solo show,
a culmination of a three month residency at Artists Unlimited e.V,
Bielefeld.

Saturday 3rd may:
CD Launch of 'fourmill plus aquarterinch'- Lemke Gwilliam on NurNichtNur.
Performances from;
Helmut Lemke + Ben Gwilliam,
Hans-Wilhelm Specht +Henning Schweichel

19.00 Filmhaus, August-Bebel Strasse 94, Bielefeld

Artist Unlimited e.V
Viktoriastrasse 24,
33602 Bielefeld

artistsunlimited.de
nurnichtnur.com


2. From: Schreck Ensemble <schreck@xs4all.nl>


S C H R E C K : ' L a L o n t a n a n z a '

On May the 28th the Schreck Ensemble presents an exceptional programme:
La lontananza nostalgica utopica futura by the eminent Italian composer
Luigi Nono, seldom performed in The Netherlands, and a new concert version
of the special and magical 'Nuctemeron', a theatrical piece by Hans van Eck
based on an antique alchemistic text.
The common theme of the two works is 'travel':
Hans van Eck's Nuctemeron offers a trip to the unknown parts of the mind
while Luigi Nono portrays to the listener a lonely violinist dwelling in the
unfamiliar landscape of sounds coming from 8 speakers positioned around the
hall in his 'La lontananza nostalgica utopica futura'.

A unique performance not to be missed.
Performers:
Caroline Erkelens - voice and gong
Tiziana Pintus - violin
Ainhoa Miranda Gimenez - bass clarinet, alto clarinet b-flat clarinet
Arie van Schutterhoef - stratifier
Hans van Eck - composition and mixing
Jan-Kees van Kampen - computers

Place and time:
Het Bethaniënklooster
Barndesteeg 6B
1012 BV Amsterdam
T +31 (0)20 - 625 00 78

28th of may 2008, 20.15
Tickets are available at the hall's ticket office and at schreck@xs4all.nl
EUR 12,- / students EUR 6,-

Information and music examples:
www.schreck.nl/eng/agenda.html

--


Vital Weekly is published by Frans de Waard and submitted for free to
anybody with an e-mail address. If you don't wish to receive this, then let
us know. Any feedback is welcome <vital@vitalweekly.net>. Forward to your
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Snail mail: Vital Weekly/Frans de Waard - Acaciastraat 11 - 6521 NE
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All written by Frans de Waard (FdW), Dolf Mulder (DM)
<dolf.mulder@hetnet.nl>, Robert Meijer (RM), Niels Mark (NM), Jeff Surak
(JS), Craig N (CN), Boban Ristevski (BR), Maurice Woestenburg (MW), Jliat
(Jliat), Freek Kinkelaar (FK), Magnus Schaefer (MSS) and others on a less
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This is copyright free publication, except where indicated, in which case
permission has to be obtained from the respective author before reprinting
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Weekly has to be acknowledged at all times if any texts are used from it.
Announcements can be shortened by the editor. Please do NOT send any
attachments/jpeg's, we will trash them without viewing.
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anything that is too hard to decipher will be thrown away. Also we have set
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Lastly we have decided to remove the announcement section of Vital Weekly
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the complete archive of Vital Weekly including search possibilities:
http://www.vitalweekly.net

понедельник, 28 апреля 2008 г.

Connexion Bizarre News


 

Connexion Bizarre

Greetings,

Connexion Bizarre was updated on 2008-04-28 with new webcasts, new reviews, new media features, new recommended events and links.

Reviewed this week were M-Pex "Phado", Subheim "Approach", Bardoseneticcube & Noises Of Russia "New Orthodox Line".
In the media section, a new installment of "Business Traveller".
This week's webcast features "Playlist #39" with music selection by João and "Expected Warning Shot" with music selection by M.

This week, we also continue the giveaway competition of four copies of the new Thisco compilation "Antibothis CD" (see below for details).

Regards,
Connexion Bizarre
(www.connexionbizarre.net)



"Antibothis CD" compilation giveaway


We have four copies of the new Thisco compilation "Antibothis" courtesy of the label. This is the audio CD that accompanies the 'occultural anthology' "Antibothis" and features spoken word colaboration between a selection of acclaimed underground authors and experimental musicians.
To be elegible to win a copy of this release please mail us at answer at info[at]connexionbizarre[dot]net with your full name and street address. The deadline for this giveaway is May 4th, 2008 and winners will be selected at random on that day.
Not valid for current Connexion Bizarre staff members.


Webcast & Radio Show


Part 1 - Click here to stream or right-click to download
("Playlist #39" with music selection by João)

Screloma - Memories (05:46)
[VA Tonwellen - About 40 Years - Atacama Records]
Mental Destruction - Your Dying Soul (06:06)
[Straw - Cold Meat Industry]
Dissecting Table - Dark Side Of Life (06:16)
[Ultra Materials 1986-1991 - Steinklang Industries]
Fall Weiss - All My Waking Hours (04:00)
[Fall Weiss - Agit Prop]
Flutwacht feat. Synomorph - ? (04:24)
[V/A - Koji Tano (2005 - ?) A Tribute - Steinklang Industries]
Genocide Organ - The Tears Of My Soul (08:38)
[V/A - Juche - ?]
Deadwood - 8 19 (11:04)
[8 19 - Cold Spring Records]
A.R.S. - Judge Of The Nations (04:26)
[A.R.S. - Agit Prop]
Sektion B - Remember The Time (04:32)
[Only Time - Hate And Revenge - Steinklang Industries]


Part 2 - Click here to stream or right-click to download
("Expected Warning Shot" with music selection by M.)

Gregorio Bardini - Ezra Pound In Mantua
[Sentinelle Del Mattino - The Eastern Front]
Mnemonic - Political Absurdity (8bit rmx by Xabec)
[V/A - Hyperreality - Alien Productions]
Subheim - Hollow (rmx by Mobthrow)
[Approach - Tympanik Audio]
Orphx - Nullity v2.3
[Vita Mediativa - Hands Productions]
Thermidor - untitled
[V/A - Antibothis - Thisco]
Knr - Dim
[V/A - My Life In An Insulation Test - Electr-Ohm/Appliance Japan]
Utopia:Banished - Carve Up A Nit
[Dirtward - AEntitainment]
Proyecto Mirage - Turn It Off
[Turn It On - Ant-Zen]
100blumen - Beat That Nazi Maggot
[In Floriculture There Is No Law! - Ant-Zen]
Exillon - Office Work
[It's OK To Dance - Ad Noiseam]
Twilight Electric - Foreigner's Journey
[V/A - 8BP050 - 8bitpeoples]
Ili - Soft Denebing
[V/A - Music Of Deneb.2099 - Dars Records]

Listen to the Webcast


Connexion Bizarre radio show @ Radio Zero
The Connexion Bizarre radio show can be streamed every Friday at 23:00 GMT and Wednesdays at 10:00 GMT from Radio Zero.



Reviews

M-Pex - Phado
"Phado" is wholly Iberian in atmosphere, sensual and melodic with more than a tinge of nostalgic melancholy, evoking an ambience at once tangy and honey-dipped. These are the songs to compliment sentimental and lonely moods, when distance or time renders someone held dear intangible and missed.
Read more

Subheim - Approach
On the whole, "Approach" is a rather melancholic and atmospheric body of work which some may consider it as lacking variety in composition and emotion. While these are valid criticism, "Approach" is undoubtedly solid, showing great talent and skilled musicianship as well as great future promise for Subheim's growth as an artist.
Read more

Bardoseneticcube & Noises Of Russia - New Orthodox Line
The sheer lack of originality is surprising given the artists involved. At turns it seems to be trying to alienate its audience with ear piercing feedback, then to draw the listener in with much repeated choral motifs, but the balance is uneven and the overall product ill-arranged and unfocused.
Read more


Media

Carlos Ferrão - Business Traveller
"As agreed, I will begin sending you copies of the documentation we have been compiling. Once again I apologize for the piecemeal nature of these deliveries but I know you are eager to start your work. I am starting today with the first e-mail of many."
Read more


Connexion Bizarre events status:

Bodypop @ "Era Uma Vez No Porto" bar (map location)
17/05, saturday, 11pm-2.30am; Rua do Passeio Alegre 550, Porto (Portugal).
The "usual selection and latest news" of synthpop, electropop, robotpop, 8bitpop and bodypop!


Recently added links

Ananda Jacobs, experimental ambient/trip-hop electronics
dDamage
Mushitsuro, industrial techno hardcore
Neus-318, experimental noise electronics
Saburo Hirano, experimental sounds
Les trolls, industrial hip-hop
Uniform, avantgarde electronic music
Crunch Pod, record label site re-vamp
Absetzer, power noise and extreme electronics
Avantgarde Festival (de)
Villette Sonique (fr), electro-rock festival
Storm Party, industrial crossover party (Netherlands)
MP3tunes, online music locker

Netlabel releases spotlight:

t_error 404 "Crush Hour EP" (Absetzer)
t_error 404 "Operation Anti Error EP" (Absetzer)

Latest recommended links

Hospital Productions
K & R Music
Lagowski Music Projects
Art-Errorist, the art of Jean-Herve Peron
Mark Jarzombek "An Anti-Pragmatic Manifesto"
"EMI Says You Can't Store Your Music Files Online" (The Consumerist)
"Four sound effects that made TV history" (BBC)

Constantly updated links

Connexion Bizarre @ del.icio.us, also available as  RSS 


Merchandise

Connexion Bizarre Pins

Connexion Bizarre Pins
State your indivuality and rhythmical reverberation with this set of five one-inch Connexion Bizarre buttons! One featuring the main C.B. logo, three featuring the alternative mascots/logos and one featuring the Connexion Bizarre "reverberate rhythmically" motto.
Read more


Connexion Bizarre web-logs & networking sites (in decreasing order of activity/importance)
Livejournal: livejournal.com/users/connexion
MySpace: www.myspace.com/connexionbizarre
Facebook: Connexion Bizarre page & Connexion Bizarre group
Ning: Connexion Bizarre Network
LastFM: www.last.fm/user/connexion_biz
Trig: www.trig.com/connexionbizarre
Hi5: connexionbizarre.hi5.com

News feeds
 RSS  - http://www.connexionbizarre.net/rss.xml - site updates
 RSS  - http://del.icio.us/rss/connexionbizarre - link updates





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На данный момент программа удалила 6567 письма, содержащиеспам.
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среда, 23 апреля 2008 г.

STAUBGOLD SPRING 2008 NEWS - "an alternative route to euphoria"

> * content *
>
> + KLANGWART: "An alternative route to euphoria"
>
> + STAUBGOLD OFFICE CLOSED from 25 April to 5 May 2008
>
> + 10 Years of Staubgold @ MINI MIDI FESTIVAL, Beijing
>
> + JASMINA MASCHINA's "The Demolition Series" cd/lp out on Staubgold
>
> + MAPSTATION / PAUL WIRKUS: "Forest Full Of Drums" vinyl-only lp
>
> + PEDAL cd out now: duo improvisations for two grand pianos
>
> + Staubgold DJ NIGHT @ PALOMABAR, Berlin
>
> + LIVE DATES
>
> + FORTHCOMING RELEASES
>
>
>
> * * * KLANGWART: "An alternative route to euphoria" * * *
>
> http://www.myspace.com/klangwart
>
> "This is the first studio album in eight years to emerge from the
> partnership of Cologne and Berlin based electronic duo Markus Detmer and
> Timo Reuber, aka Klangwart. It arises from an ongoing live experiment
> they've been conducting for some years.
>
> The progress of 'Stadtlandfluss', however, is less in flux, and has more
> of a narrative arc. 'Zwei Töne' is like the 'birthing' of the album, two
> tones swimming like sperm, followed by the binary bickering of 'IO'.
> Then comes 'Radio', in which the album really fans out, ascending
> towards 'Telemann', a veritable hurricane of oscillating soundwaves,
> before the happy ending that is 'Mein Herz, mein Haus'. An alternative
> route, this, to euphoria."
>
> (David Stubbs, The Wire, May 2008)
>
> Klangwart's "Stadtlandfluss" will be released on Staubgold in May
> (staubgold 80 cd/lp).
>
>
> Klangwart live:
>
> 02 may @ mini midi festival, 2 kolegas bar, cn- beijing
> 15 june @ synch festival, gr- athens
> 08 august @ off festival, pl- myslowice
>
>
>
> * * * STAUBGOLD OFFICE CLOSED from 25 April to 5 May 2008 * * *
>
> PLEASE NOTE: Our office is fully closed from 25 April to 5 May 2008.
>
> Don't even try to reach us during that time :)
>
> Any orders through the webshop will be processed right after our return.
>
> For distribution and promo purposes, and to get hold of the Staubgold
> cell phone number - really urgent cases only! - please contact either
>
> Indigo, attn. Lutz Falldorf, mailto:lutz.falldorf@indigo.de
>
> or
>
> MDM, attn. Jörg Heidemann, mailto:joerg.heidemann@mutualism.de
>
>
> Thank you for your understanding!
>
>
>
> * * * 10 Years of Staubgold @ MINI MIDI FESTIVAL, Beijing * * *
>
> 2 May, 10pm @ 2 Kolegas Bar, Beijing, China
>
> http://www.minimidi.cn
> http://www.myspace.com/minimidifestival
>
> MINI MIDI FESTIVAL, GOETHE INSTITUTE BEIJING and KULTURAMT KÖLN
> present:
>
> Mapstation (live)
>
> Joseph Suchy (live)
>
> Klangwart (live)
>
> Reuber (live)
>
> + DJ Markus Detmer
>
> + label workshop with Markus Detmer (2 to 5pm)
>
>
> Exclusive Staubgold label compilation cd available for free during the
> event.
>
> All performances are part of the Goethe Institute's German Electronic
> Music Series.
>
> Curated by Yan Jun, http://www.subjam.org.
>
> "China's only outdoor experimental music festival celebrates its fourth
> year with showcases from Staubgold and Shansui and includes performances
> from Andy Guhl (Voice Crack), Janek Schaefer, FM3, Joseph Suchy,
> Mapstation, Yan Jun and more plus conversations on independent record
> labels, experimental music festivals and 90s Taiwanese noise music."
> (The Wire, May 2008)
>
> THANK YOU: Yan Jun, FM3, Manfred Post, Goethe Institute Beijing.
>
>
>
> * * * JASMINA MASCHINA's "The Demolition Series" out on Staubgold * * *
>
> + ORDER from http://www.staubgold.com
>
> + PRE-LISTEN and DOWNLOAD @ finetunes.net: http://snipurl.com/staubgold
>
> + VISIT Jasmina Maschina @ http://www.myspace.com/jasminemaschine
>
> + RELEASE PARTY @ Schokoladen, Berlin (Ackerstrasse 169)
>
> 24 April 2008, 8pm
>
> Jasmina Maschina & Band (live)
> (Jasmine Guffond, Theresa Stroetges, Torben Tilly, Tony Buck)
>
> Golden Diskó Ship (live)
>
> Human Elephant (live)
>
> and DJs Markus Detmer & Torben Tilly
>
>
> + staubgold 86 Jasmina Maschina - The Demolition Series cd/lp
>
> Binding the overpass between sensuality and stoicism, ephemera and the
> sublime, hesitation and intoxication, Jasmina Maschina's sonic folk
> soundscape transports you to the world of a familiar song that you are
> only too pleased to hear again. Her music glows with experience and
> feelings that are alien to none, and as yet imagines every part of human
> triviality to be unique and vital in its own subordinate way. It is the
> gorgeousness of the everyday.
>
> She melds the most simple and innocent chord progressions of
> time-honoured folk music with a noisenik's attraction to repetition,
> drone and inventiveness to create the sensation of paresthesia on the
> skin and mind.
>
> Lyrically, Jasmina Maschina lists the characters of the familiar and
> places them in the warm care of her imagination. The vocals resonate
> astonishment at the normal wonders of the world, an intensity of just
> being lucky enough to feel sensation and experience. They undertake the
> weight of human emotion with a flightful ease.
>
> "The Demolition Series" sounds like an effortless album. Soaring beauty,
> short rides to nowhere, characters met in the dark, are all in the
> experience of the artist. Purely, it is a clear view through steely eyes
> with a touch of innocent mysticism.
>
> Jasmina Machina currently lives and works in Berlin, Germany, is one
> half of the experimental electronic duo Minit and composes sound for
> installation and film. She composed, recorded and produced her first
> solo album, "The Demolition Series", at home. Guest musicians appear on
> the album; Torben Tilly (guitar), Jimmy Trash (melodica), Ari Benjamin
> Meyers (piano), Anthony Pieretti (drums) and Lucinda Dayhew (voice).
>
> "Instead of focussing on world weariness she draws on the healing powers
> of good pop music."
> - Markus von Schwerin, Tip 16/06 Berlin
>
> "Her brand of folk is classic and consists of soft harmonic ballads, yet
> she is not easily classifiable; another pulsating, hypnotic layer is
> always present."
> - Clarissa Lempp, Live Review, Trompete Berlin 20.4.07
>
>
>
> * * * MAPSTATION / PAUL WIRKUS: "Forest Full Of Drums" * * *
>
> + order from http://www.staubgold.com
>
> + pre-listen and download @ http://snipurl.com/forestfullofdrums
>
> + watch video @ http://snipurl.com/forestvideo
>
>
> + staubgold 85 Mapstation / Paul Wirkus - Forest Full Of Drums lp
>
> "Everything was already there. The trees, the wind, the birds, the muddy
> soil, the undergrowth, playing children, people taking walks, the
> distant hum of a motorway and airplanes above.
>
> We arrived there as beginners. We had to wait for the right weather, to
> look for a good spot, to practice patience, to carry the drum kit
> through the bush and to set it up and start playing and recording.
> Daylight was all that was needed.
> It had begun as a fantasy, a vague and simple picture that you carry
> with you. Derived from the joy of being outside in nature: a drum kit
> standing in a forest. What would it sound like if you play and record it
> there? The forest as a resonating space. A room where you are inside and
> outside at once. Sometimes it looks like a friendly home and at other
> times becomes an eerie sea.
>
> A space in which the ancient sounds of the world meet the sounds of
> civilization. If you stand in one spot it is difficult to recognize
> where the sounds are coming from and whom or what they belong to.
> Playing and recording there was very far from being in a perfectly
> controlled studio situation. First we started hitting the drums we
> brought and then later on we started picking up sticks and branches,
> tossing around big logs and becoming curious about what they would sound
> like. The forest had slowly changed our initial ideas in an elegant way.
> It enabled us to make music with just what we found and what was there.
> In the very moment that we wanted to do it, we simply had to dive into
> it, look underneath. Then the world became a bigger place than it was
> before."
>
>
> Paul Wirkus: drums, cymbals, branches, leaves, air improvisations
>
> Stefan Schneider (Mapstation): steps, recording, editing, mixing
>
>
>
> * * * PEDAL cd out now: duo improvisations for two grand pianos * * *
>
> + order from http://www.staubgold.com
>
> + pre-listen and download @ http://snipurl.com/pedalalbum
>
>
> + staubgold 83 Pedal - Pedal cd
>
> Pedal is Chris Abrahams (The Necks) and Simon James Phillips from
> Sydney/Australia. Beautifully recorded in a concert hall on two concert
> grands - these seven pieces have an emotional intensity, which
> transcends the minimalist form of their conception.
>
> "What are they thinking? These guys are doing a record of acoustic piano
> music in this day and age! And let me tell you something, my prejudice
> was totally crushed within the first minute of listening to this cd.
> Just when I was thinking two grand pianos, four hands have nothing to
> say in this 21st century...
>
> Yes, we have two grand pianos, four hands, and two brilliant minds!
> These musical soldiers are highly decorated. Both players were drawing
> from their unique musical gene pool. Every single piece of music on this
> recording was fully improvised. I was making little imaginary film clips
> in my head to all seven improvisations on this cd. A range of emotions
> was deeply felt.
>
> To borrow a phrase from Mr Ornette Coleman in relation to his view about
> the state of music in general... 'Beauty is a rare thing'. Well, here is
> that rare thing." (James Tsai, Fuse Music Group)
>
>
>
> * * * Staubgold DJ NIGHT @ PALOMABAR, Berlin * * *
>
> "no boundaries, just hot shit with love..."
>
> The monthly Staubgold dj night now every first Wednesday from 9pm at our
> favourite bar in Berlin-Kreuzberg!
>
> Next edition:
>
> Wednesday 7 May - 9pm
> @ Palomabar, Skalitzer 135 (Kottbusser Tor), Berlin
>
> featuring
>
> zeitblom (Pole/Heaven And)
> Markus Detmer (Klangwart/Staubgold)
>
> Free entry!
>
> http://www.myspace.com/thestaubgolds
>
>
>
> * * * LIVE DATES * * *
>
>
> DJ MARKUS DETMER
>
> 24 april @ schokoladen, de- berlin
> 02 may @ mini midi festival, 2 kolegas bar, cn- beijing
> 07 may @ palomabar, de- berlin
> 04 june @ palomabar, de- berlin
>
> http://www.myspace.com/thestaubgolds
>
>
> ---
>
> LEAFCUTTER JOHN
>
> 25 april @ skif festival, ru- st petersburg
> 01 june @ the macbeth, uk- london
>
>
> current album:
>
> staubgold 68 the forest and the sea cd/lp
>
> http://www.myspace.com/leafcutterjohn
>
>
> ---
>
> KLANGWART
>
> 02 may @ mini midi festival, 2 kolegas bar, cn- beijing
> 15 june @ synch festival, gr- athens
> 08 august @ off festival, pl- myslowice
>
>
> forthcoming:
>
> staubgold 80 stadtlandfluss cd/lp
>
> http://www.myspace.com/klangwart
>
>
> ---
>
> HARALD SACK ZIEGLER
>
> 03 may @ tsunami club, de- cologne
> 31 may @ live looping festival, loft, de- cologne
>
>
> Harald Sack Ziegler on Staubgold:
>
> staubgold 28 kopf zahl bauch cd/lp
> staubgold 59 punkt cd
>
> forthcoming in 2008:
>
> staubgold 89 sack & blumm: returns cd
>
> http://www.haraldsackziegler.de
>
>
> ---
>
> MINIT (Jasmine Guffond & Torben Tilly)
>
> 15 may @ bang bang club, de- berlin (with spectrum aka sonic boom)
>
>
> Jasmine Guffond and Torben Tilly on Staubgold:
>
> staubgold 53 minit: now right here cd/lp
> staubgold 74 organ eye: organ eye cd/lp
> staubgold 86 jasmina maschina: the demolition series cd/lp
>
> http://www.myspace.com/minitmusic
>
>
> ---
>
> KAMMERFLIMMER KOLLEKTIEF
>
> 8 june @ jazz festival, de- worms
>
>
> current albums:
>
> staubgold 70 remixed cd
> staubgold 77 jinx cd/lp
>
> http://www.kammerflimmer.com
> http://www.myspace.com/kammerflimmerkollektief
>
>
>
> * * * FORTHCOMING RELEASES * * *
>
> staubgold 75 reuber - südpol lp
> (finally on vinyl, limited to 150 copies)
>
> staubgold 80 klangwart - stadtlandfluss cd/lp
>
> staubgold 84 klangwart - zwei cd/lp
> (re-issue of the klangstelle release, first time on cd)
>
> staubgold 87 heaven and
> - sweeter as the years roll by cd/lp (tony buck, steve
> heather, martin siewert, zeitblom, alexander hacke)
>
> staubgold 88 david last vs. zulu - musically massive ep 12"
>
> staubgold 89 sack & blumm - returns cd
>
> staubgold 90 rafael toral - space elements vol. 1 cd
>
>
>
> * * * * * * * * * * * *
>
> staubgold | quecksilber
> markus detmer
> greifenhagener str. 62 | 10437 berlin | germany
>
> tel +49 30 29 35 11 89 | fax +49 30 29 35 10 60
>
> http://www.staubgold.com | http://www.quecksilber-music.com
>
> become a friend and add a comment:
> http://www.myspace.com/thestaubgolds
>
> watch staubgold tv @ youtube.com:
> http://www.youtube.com/staubgold
>
>
>
>
>

Scorch Trio album from Rune Grammofon

New Scorch Trio album available now!

Both cd and vinyl editions can be ordered from our site now. This is NOT the live album previously announced and presented on Runeology 3, but a spanking new and thrilling studio recording. Please note that the double vinyl edition include 4 tracks (33 minutes) not on the cd. It´s limited to 500 copies and comes in a gatefold sleeve.

Order the cd here and the double vinyl here.

Supersilent and Motorpsycho at Roskilde

We are happy to announce that both Supersilent and Motorpsycho are confirmed for the Roskilde Festival in Denmark at the beginning of July. 

www.runegrammofon.com



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Motorpsycho special collectors offer at Rune Grammofon label

Motorpsycho multi colour vinyl and limited T-shirt at Rune Grammofon label

We have pressed up 500 copies with so called multicolour splatter vinyl. Because of the way these are produced each vinyl record is unique. The cover is the same as with the black vinyl version, 350 g cardboard and black inner sleeves. We will not re-press this edition. Needless to say, this edition is a real collectors gem and it might be a good idea not to dwell too long! Many die hard MP fans have asked for special editions and you can´t get it more special than this. We have an even more limited T-shirt that you can buy in a bundle with the vinyl at a reduced price. The T-shirt is also available individually

 



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Beta-lactam Ring Records New Release

 

BlRR Digital Downloads  BlRR Podcast  BlRR Radio  BlRR RSS 2.0

April 23, 2008

Greetings to you. We are very proud to announce we have the following albums and book available and now shipping (we have many, many, many, many, many, many orders for the new goodies and we will be shipping out the next 7 days (an email will be sent as soon as your order has gone out). "Images/Zero Mix" was our very first book and we had a few delays along the way but we are very proud with the final result. all best, chris.

Nurse With Wound "Images/Zero Mix" Book/CD
Nurse With Wound "The Musty Odour of Pierced Rectums" LP
Ariel Kalma "Le Temps des Moissons" CD
The Silverman "Blank for your Own Message" CD
Volcano the Bear "Mountains Among Us" CD

Coming in May we have the following albums for your listening pleasure: Anakrid "Banishment Rituals of the Disenlightened" CD/LP, Head Resonance Company "19 Tracks for Unknown People" CD/DVD, Liles, Andrew/Menche, Daniel "The Progeny of Flies" CD, Seven That Spells "Black Om Rising" CD/DVD, The Long Dead Sevens "The White Waltz & Other Stories" CD/2CD, Aidan Baker "Book of Nods" CD. Pre orders are being accepted with a 10% pre order discount being offered: use code PO10%. It expires April 30th, 2008.
Following these will be releases from Edward Ka-Spel "Dream Logik Part Two" CD/4LP, Eyeless in Gaza "Sumer Salt and Subway Fun" 2CD/3CD, Nick Grey & the Random Orchestra "Spin Vows Under Arch" and Anakrid "Scenarion" LP.

New Mailorder Additions Here

 


Artist:
Anakrid
Title: Banishment Rituals of the Disenlightened
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt199CD
Status: Preorder
Price: $16.00
First ed. of 500 copies in a book bound CD case. Available late May 2008. Anakrid a day keeps the doctor slurred in a trove of fish-tallowed sling slong. This is what it sounds like when doves cry because the mother ship crashes into their nest in... (More Info. Here)
 

Artist:
Anakrid
Title: Banishment Rituals of the Disenlightened
Label: Beta-lactam Ring Records
Format: LP
Catalogue Number: mt199LP
Status: Preorder
Price: $30.00
LP edition of 100 copies. The inside gatefold sleeve is hand painted by Anakrid. Available late May 2008. Anakrid a day keeps the doctor slurred in a trove of fish-tallowed sling slong. This is what it sounds like when doves cry because the mother... (More Info. Here)
 

Artist:
Baker, Aidan
Title: Book Of Nods
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt163
Status: Preorder
Price: $15.00
First ed. Of 500 numbered copies available late May, 2008. A new landscape is painted out of darkness by progressive strokes of the dawn. The finished piece is neither night nor day, but the transformation itself. Aidan Baker's (Nadja) "Book Of... (More Info. Here)
 

Artist:
Head Resonance Company
Title: 19 Tracks for Unknown People
Label: Beta-lactam Ring Records
Format: CD + DVD
Catalogue Number: mt185
Status: Preorder
Price: $20.00
First edition of 500 copies with a bonus DVD packaged in a full color book bound case. Arbeit Macht Fry! Head Resonance Company’s swirling miasma of minimal electronics is more than an NDW high wasser mark; it is Teutons of fun. Their Sturm is... (More Info. Here)
 

Artist:
Kalma, Ariel
Title: Le Temps des Moissons
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt189
Status: in stock
Price: $20.00
First ed. of 500 copies packaged in a book bound CD . First time on CD for this classic prog album! This has been the first solo recording LP from Ariel Kalma, recorded in 1975. After a long journey to India where he learnt... (More Info. Here)
 

Artist:
Liles, Andrew/Menche, Daniel
Title: The Progeny of Flies
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt206
Status: Preorder
Price: $18.00
Ed. of 500 copies in a book bound CD case available late May 2008. Kold Krush Groove, y’all. Literally! Individually Liles and Menche have torn the experimental world many new ones, but as a unit they achieve a critical mass so monumental that... (More Info. Here)
 

Artist:
Nurse With Wound
Title: Images / Zero Mix
Label: Beta-lactam Ring Records
Format: Book
Catalogue Number: mt103 book
Status: in stock
Price: $25.00
Just the book without the CD "Zero Mix". 220 page hard bound embossed book with full color dust jacket. The book features paintings created to celebrate the release of the albums "Angry Eelectric Finger"... (More Info. Here)
 

Artist:
Nurse With Wound
Title: Images/Zero Mix (Deluxe Ed.)
Label: Beta-lactam Ring Records
Format: Book+2CD
Catalogue Number: mt103 Deluxe
Status: in stock
Price: $85.00
No Discounts! Deluxe Edition (220 page hard bound book with full color dust jacket, the album “Zero Mix” plus the bonus album “Requital for Lady Day” packaged in full color heavy book... (More Info. Here)
 

Artist:
Nurse With Wound
Title: Images/Zero Mix (Standard Ed.)
Label: Beta-lactam Ring Records
Format: Book+CD
Catalogue Number: mt103 standard
Status: in stock
Price: $35.00
STANDARD EDITION (220 page hard bound book with full color dust jacket, the album "Zero Mix").  Hardbound book featuring paintings created to celebrate the release of the albums... (More Info. Here)
 

Artist:
Nurse With Wound
Title: The Musty Odour Of Pierced Rectums
Label: Beta-lactam Ring Records
Format: LP
Catalogue Number: mt056lp
Status: Preorder
Price: $20.00
Available early April 2008 on dirty brown vinyl and a book bound LP sleeve. In the terpsichorean tradition of traumatizing and titillating treacalese collector geeks the world over, Beta-lactam presents a limited LP release by Nurse With Wound. This... (More Info. Here)
 

Artist:
Seven that Spells
Title: Black Om Rising
Label: Beta-lactam Ring Records
Format: CD + DVD
Catalogue Number: mt102
Status: Preorder
Price: $18.00
Ed. of 500 copies in a book bound case and 8 page booklet. Audio CD plus region free DVD consisting of the entire “Black Om Rising” album performed live. Don't go round tonight, well it's bound to take your life; there's a black... (More Info. Here)
 

Artist:
Silverman
Title: Blank For Your Own Message
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt208
Status: in stock
Price: $20.00
First ed. of 500 copies in a full color book bound case. Silverman should be given a degree in bio-melodics. This most recent body of collaged constructions pulsates with aspects of a living system. Slurred drones rush sonic corpuscles through... (More Info. Here)
 

Artist:
The Long Dead Sevens
Title: The White Waltz & Other Stories
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt190-One CD Edition
Status: Preorder
Price: $15.00
Single CD edition in a full color book bound case and 8 page booklet. Produced by Boris ‘Mephisto’ Wilsdorf, Einstuerzende Neubauten’s producer. Available mid May 2008. Somewhere betwixt the brooding, 10... (More Info. Here)
 

Artist:
The Long Dead Sevens
Title: The White Waltz & Other Stories/ The White Waltz Companion Disc
Label: Beta-lactam Ring Records
Format: 2xCD
Catalogue Number: mt190-Two CD Edition
Status: Preorder
Price: $20.00
Produced by Boris ‘Mephisto’ Wilsdorf, Einstuerzende Neubauten’s producer. Two CD edition (contains the bonus album "The White Waltz Companion Disc"  limited to 400 copies in a full color... (More Info. Here)
 

Artist:
Ulkomaalaiset
Title: Two
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt153
Status: in stock
Price: $20.00
(Electro-improv album with Edward Ka-Spel.) Ed. of 300 numbered copies.  Ulkomaalaiset is a rather different kind of Gharbzadegi or Fremd. In this context it speaks to a disconnection to place rather than to people. Fitting a square peg into a... (More Info. Here)
 

Artist:
Uw Hypotheekadvies
Title: Nature or Nurture
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt159
Status: in stock
Price: $15.00
Ed. Of 400 numbered copies with full color insert each with an original hand drawing. Features members from former BlRR band Girlfriends and mastered by Erik Drost and Raymond Steeg (Legendary Pink Dots). According to the Explosive... (More Info. Here)
 

Artist:
Volcano the Bear
Title: The Mountains Among Us
Label: Beta-lactam Ring Records
Format: CD
Catalogue Number: mt200
Status: in stock
Price: $20.00
Edition of 500 numbered copies in a full color book bound cd case. This year sees the eruption of the Volcano with a myriad of releases leaving the town folk covered in a fine and mysterious silt of musical entropy. The limited release of... (More Info. Here)
 


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вторник, 22 апреля 2008 г.

Vital Weekly 624

============
VITAL WEEKLY
============
number 624
------------
week 17
------------


Vital Weekly, the webcast: we offer a free-to-download weekly webcast as the
audio-supplement to Vital Weekly. Presented as a radio programme with
excerpts from some of the CDs reviewed here (no vinyl or MP3s). It is
available on the site for a limited period of 5 weeks. Download the file to
your MP3 player and enjoy!
Complete track listing here: http://www.vitalweekly.net/podcast.html

Before submitting material please read this carefully:

http://www.vitalweekly.net/fga.html
Submitting material means you agree with these terms.


* noted are in this week's pod-cast


PGT - TEMPORARY HABITATIONS (CD by Loochtone Recordings) *
NAPALMED - III (CD by Napalmed)
MARC NAMBLARD - CHANTS OF FROZEN LAKES (CD by Kalerne) *
RYOJI IKEDA - TEST PATTERN (CD by Raster-noton) *
ROBIN SAVILLE - PEASGOOD NONSUCH (CD by Static Caravan) *
@C - UP, DOWN, CHARM, STRANGE, TOP, BOTTOM (CD by Cronica Electronica) *
[-HYPH-] - ALTER-TENACIO (CD by Tourette) *
CISFINITUM - TACTIO (CD by Mechanoise Labs) *
MARTIN BAUMGARTNER - SHOOT'S HUFT (CD by For4Ears) *
SIGNAL TO NOISE VOL. 6 (CD by For4Ears)
QUATOR BOZZINI - CANONS + HOQUETS (CD by Ambiances Magnetiques)
QUARTETSKI DOES PROKOFIEV - VISONS FUGITIVES OP. 22 (CD Ambiances
Magnetiques)
THE NEW BLOCKADERS & DAS SYNTHETISCHE MISCHGEWEBE - THE MONOPSYLLABIC
BICYLCES TRI-CYCLED QUADRUPLES (LP & 7" by Equation Records)
MAGNETISM, THAT ELECTRICITY (4x12" by Highpoint Lowlife) *
BRANDKOMMANDO - HUNGER (CDR by Apocalyptic Radio)
FIXTURE FOR TOXINS - THRENODIES OF LABOR (CDR by Future for Toxins)
FIXTURE FOR TOXINS - NIGHT HOVERS OVER US AGAIN (CDR by Future for Toxins)
TEXAR - ANNELIE AND THE DARK SEA (CDR by After Music)
GREG HEADLEY - 24-CARAT ABNORMALITIES (CDR by 28angles) *
SAD SAILOR LINK TO THE OUTSIDE WORLD (CDR by Public Eyesore)
WE NEED YOU - WE NEED YOU (CDR by Public Eyesore)
EARZUMBA - VIVO! (CDR by Absurd) *
ANASTENARIA (CDR by Absurd)
BRIAN OSBOURNE & MICHEAL THOMAS JACKSON - CIRCUIST CIRCUTS (CDR by Primecuts
Recordings)
CIGMA6 - GROWTH RESUMED ON THE WORK (CDR by Primecuts Recordings)
MICHEALTHOMASJACKSON - A DOG STAR MANUAL (MP3 by Defenestrated Records) *
CLAUDIO ROCHETTI - HARRISONFORD (cassette by Deadtracks Records)
TIAGO SOUSA - THE WESTERN LANDS (MP3 by Resting Bell) *


PGT - TEMPORARY HABITATIONS (CD by Loochtone Recordings)
Last week we discussed The Desert Fathers, a duo of Jeff Kaiser and Gregory
Taylor, this week it's PGT, which stands for Terry Pender (mandolin), Brad
Garton (laptop) and Gregory Taylor (laptop). Another odd pairing, as last
week it was the quartertone trumpet and laptop. The mandolin is not a very
common musical instrument in the world of improvised music. I could try and
re-do last week's review, as the three pieces here are as long the ones of
'Coptic Icons', plus one more (!), and throughout one could say they lack
structure, edit, tension and all such things which can make exciting music.
However there is something else on this recording which I do like and that's
the 'endless stream' of sound. The mandolin is an instrument that can
sustain at length, certainly when fed through a line of echo machines in
'Dome' and it's exactly this that I thought this quite an enjoyable disc of
improvised music. An endless flow of sounds, hardly interrupted by musicians
that need to show their
face, making things go bump all over the place, but a very condensed.
layered ambient cake. Structure and such like may not apply here, simply
because that is not what they set out to do. The carry away the listeners on
an ambient cloud of sound. This time around, not just nice if you saw the
show, but also makes much sense at home. (FdW)
Address: http://music.columbia.edu/PGT/Temporary_Habitations

NAPALMED - III (CD by Napalmed)
This is my second attempt at a review, the napalmed piece is 80 minutes!
One track which begins with 20 minutes of cow bells and gentle swirling
noise, rhythms rise and fall *deceptively* pleasantly - at 20 + minutes they
begin to hit pans of water and grown all with the reverb and echo which then
settles down to much the same cow bell clanging somewhere in a muddy mix,
it's 30 minutes now - they are banging on canaries with rusty bicycles -
and my eyes are glazing, the canaries don't last long, I think they/we
might all be in a sewer, more water, the vague impression of cars above, and
a nice bar selling beer and playing Frank Sinatra records. I joke - I wish!
But there is no escape. 35 minutes and perhaps some crickets have got
flushed down here with us, I long for daylight. There is more machinery,
obviously part of the pumping plant, I think the crickets have died - I wish
I had, some ooooo ooooooy voice sounds, half way and still clank clank,
more rhythmic machinery
(napalmed iii comes is a pyramid foldout thing - I'm saying this - hell
knows why?) What seems like day 28 and I've lost the will to live.... and
on it goes. (napalmed claim to be harsh noise - a war of attrition - they
are wining) it seems I've been listening for months, I've chewed off all my
toes and fingers on my left hand, typing with one of the fingers on my
right, still another rhythmic pumping plant. I think I can hear the sounds
of trams far above - I no longer believe the sky is blue - I'm probably
GOING MAD. 50 minutes - seems like years - another outflow of sewage and
more machinery muffled and in the distance, does anyone know a good joke..
And on they clank, its now 60 minutes which means 20 more to go, I could
just write a short review and say it's a remarkable piece and hit the stop
button. My life is over - has run its course, slowly the earth spins into
the sun, black holes eat up the remains of dead stars and still this clank
clank clank. Aghhhhhhhhhhhh!
(jliat)
Address: http://www.napalmed.cz/

MARC NAMBLARD - CHANTS OF FROZEN LAKES (CD by Kalerne)
A new label from Taiwan, of all places, release a CD by one Marc Namblard,
'sound artist and naturalist living in the northeast of France', and he has
the same fascinating as I had, but I never made a recording of it. Across my
parents house there was a small pond and in the winter it was sometimes
frozen. If you would take a branch and hit the surface it made a very nice
sound, one that is not easy to describe, but as soon as I started playing
Namblard's 'Chants Of Frozen Lakes', it all came back, it's exactly that
same sound. Recorded in on one day, but perhaps with some cross fading, some
interesting things happen. We hear ducks, along with 'pulses' of crackles in
the ice, but over the course of fifty-five minutes things grow immensely
intense and expand. Indeed, towards the end like a chant of icy sounds.
Winter may be no more, not at least in this part of Europe, so sounds like
this will become rare to experience in nature. However, when I have an
option, I stay inside, turn up
the heater a bit, and enjoy Namblard's work as it's absolutely great. It
sounds both 'natural' as well as electronical, oddly enough. A very fine
work of true soundscaping. (FdW)
Address: http://www.kalerne.net

RYOJI IKEDA - TEST PATTERN (CD by Raster-noton)
Perhaps it's because I'm old(er) that I sometimes sit behind my computer and
wonder about all the things that a modern computer can do: play music, send
e-mail, browse internet, write a book or make a movie. All these different
things and we seldom realize, perhaps we do but never enough, that all of
these 'different' things are made of zeroes and ones, so basically the same
sort of information. This is Ikeda's fascination in his multimedia project
'Datamatics', of which 'Test Pattern', following 'Dataplex', is his second
release. Ikeda transfers data (text, sound, photo's, movies) into 'barcode
patterns and binary patterns' and through this conversion the raw data
becomes audio files. Not an entirely new idea, I believe Radboud Mens did
something alike a long while back, but whereas his result was quite a noise
based released, Ikeda's transformations spans sixteen tracks of highly
rhythmical music. He keeps cutting his sounds up until they form a dense but
groovy rhythmical whole.
It's the ultra clean and ultra digital sound that we know and love Ikeda
for. Elsewhere in this issue you'll find a review where I complain the pure
digital esthetic of a release, but in Ikeda's groovy world it becomes almost
minimal dance music. I am warned not to play this very loud, because it
could damage my speakers, but I would love to hear this ultra loud with the
vibrating bass going like wind through my hair. The sixteen tracks make a
flow together, they are not sixteen separate tracks, but rather one piece,
'Test Pattern', in sixteen continuous parts. We are also told that
converting this into MP3s may not work, which may lead to the conclusion
that hearing this on CD quality is perhaps also not the right thing. Maybe a
24-bit conversion on DVD would the 'real' thing and perhaps it's the next,
logical conclusion, is that Ikeda no longer releases CDs, DVDs but we should
only go to his concerts or installations to witness the 'real' thing.
Luckily its not that far yet, and we
have 'Test Pattern' to enjoy on whatever poor installation we have
available. Ikeda is still the undisputed master of the scene. (FdW)
Address: http://www.raster-noton.net

ROBIN SAVILLE - PEASGOOD NONSUCH (CD by Static Caravan)
We were introduced to the music of Robin Saville in Vital Weekly 606, when
we heard his split 7" with Dollboy. Back then it was player piano and rhythm
machine, for 'Peasgood Nonsuch' it's more electronic, with synthesizers,
rhythm machines, bass, guitar and lots of bell like sounds. What I didn't
know back then is that Saville is one half of ISAN, but now I know things
make sense here - even more. There is a very nice light touch to this music.
Fresh spring time music. I know now too that Saville is a gardener - even
more perfect sense here. I can imagine him walking in a garden on a sunny
day after a rainy night to find nice smelling flowers and plants and finding
inspiration to create his minimal but melodic music. The rhythm machine
ticks time away with great ease and Saville waves a path that is mostly
light and sometimes dark, such as in 'Colin The Lazy Cormorant (Part Two)'
with a somewhat darker drone behind it. But that is an exception. Usually
it's pleasantly light music.
If
you liked ISAN before, or anything where popmusic (for whatever that may be)
meets up with modern classical music (say Harold Budd's 'Serpent In
Quicksilver', this album is a perfect meeting place. (FdW)
Address: http://www.staticcaravan.org

@C - UP, DOWN, CHARM, STRANGE, TOP, BOTTOM (CD by Cronica Electronica)
Miguel Carvalhais and Pedro Tudelo are @C, armed with their laptops they
play mostly improvised music. However, important, they don't release
improvised music. How is this possible. Their improvisations are restricted
for playing together, in a concert like situation, with or without audience.
All of the resulting recordings are taken into the studio and used as
building blocks for their music. On this, their seventh release, they use
recordings from concerts, studio work and field recordings which they
recorded over a period of five years and deals mainly with the
improvisations they did with others. Sometimes the 'other' was present while
everything was played, sometimes the 'other' arrives through the form of a
sample. They remove all the 'unwanted' bits of improvisations and use only
that which hold the test, and these are used in these four constructions.
They are vibrant, lively pieces of musique concrete, sometimes not unlike
releases on Empreintes Dgitales, but with a more
anarchistic, free approach. The software used is not the what it is about,
but it's result, which, as @C say, 'becomes itself, and will become music
each time it is played, to everyone and everywhere it is so'. Which I
believe is very much true. There is so much happening on every level of this
disc, that it requires a few rounds of listening until everything is
uncovered and then the 'real' thing starts again: finding the overall
picture again. It's a full CD, but one that has a lot to give. Great work.
(FdW)
Address: http://www.cronicaelectronica.org

[-HYPH-] - ALTER-TENACIO (CD by Tourette)
With a name like [-Hyph-] its not easy to search back issues for previous
reviews, but it seems it has been over two years that we reviewed music by
Nicolas Wiese (not related to John) who records under this banner. Likewise,
the label has no website printed on the cover, and their no other
information, so try searching Tourette on the internet - goddammit. This
Wiese is from Berlin where he composes his electro-acoustic music using
instruments played by others. There is xylophone, double bass, alto
saxophone, bass clarinet (which he plays himself, actually) aswell as field
recordings from Canada, police helicopter and human voices. Before I
compared this with the 'never quiet' music of Brume. There is always
something happening here. No second silence seems to be permitted. Wiese
uses the computer to treat his sounds beyond belief, or rather: beyond
recognition. It seems to me that he tries to tell us a story, as there is a
multitude of voices to be detected in this work, but it's
not easy to grasp that story. The titles seem to give a clue however:
Pulverize Dreams, Reset Barriers, Upgrade Sirens and Suspend Values (the
latter is called track 5 on the cover, meaning there is one track without a
title). Maybe it has to do with idealism versus state control (or perhaps
any sort of control really), I don't know. What I do know is that the music
is very much along the lines of @C, reviewed elsewhere: very vibrant, very
free in approach and result, composed from the original ideas of musique
concrete, but with a strong touch of his own. Perhaps not entirely new
(either), but it's all done with great care and style. Before I said goo to
see it released and not just a radio piece, now I can safely say: great to
see this on CD, rather than the fleeting format of CDR. (FdW)
Address: <tourettetic@mac.com>

CISFINITUM - TACTIO (CD by Mechanoise Labs)
One of Russia's older forces of all things dark, ambient and at times a bit
industrial is the work of Evgeny Voronovsky, who goes by the name of
Cisfinitum. He has released his music on Monochrome Vision, Waystyx, Ewers
Tonkunst and Drone Records. In November 2005 he played a concert in Bremen
in the St. Petri Dom and the recording here presents his music, using both
the acoustic environment of the church as well a direct recording of the
music. Cisfinitum's music is a blend of synthesized drone/ambient sounds
much along the lines of say Lustmord. But to top things of Cisfinitum adds a
blend of pulsating sounds, which over the course of the concert becomes to
live. First, half way through as church bells but towards the end things are
almost minimal techno like pulsating, with a fat drone like synthesizer
still heavily in control of the mood. On tape there is the addition also of
a baroque violin (an instrument which Evgeny is formally trained in), but
that is stretched out to an
extent that they fit the drone like capacities of the rest. The six pieces
flow into eachother and form one long piece, which is, I must admit, nothing
new under the ambient drone sun, but Cisfinitum's work can easily meet the
best in the genre, and is one of Russia's biggest talents. (FdW)
Address: http://www.mechanoise-labs.com

MARTIN BAUMGARTNER - SHOOT'S HUFT (CD by For4Ears)
SIGNAL TO NOISE VOL. 6 (CD by For4Ears)
Perhaps its entirely my mistake, but I never heard of Martin Baumgartner.
According to the press text he 'decided to use moniker for this one', but
honestly I don't know which moniker he uses in the first place. On the cover
he is credited with 'laptop and electronics' and the work was recorded in
Sydney, Cairns, New York and Lucerne. To that extend is where the
information goes. Which leaves us some space for guessing about. I think he
uses mostly electronically originated and processed sounds. But it seems to
me as if he didn't make up his mind what he wanted to do with it. There are
loud, long blocks of noise bursts, bits of drone material and sometimes
things are in a more quieter mood. Add to this that the sounds are
unmistakably digital (made and processed, and reflected in the titles,
'0.0.0.', '0.1.0' and '0.0.1') and the end result is quite a cold and
distant release. The drone and quiet parts I must say sounded quite alright,
but the noise was not my cup of tea, and
unfortunately they form a majority around here. With the absence of noise,
the second piece is the best. Received with confused feelings.
For4Ears also released the sixth installment of recordings made on a tour of
Swiss musicians. Here they stopped over in Korea (the other releases in this
series contain recordings made in Japan) and play their improvised with
local musicians such as Ryu Hankil (analog clock, electronics), Choi
Joonyong (CD players), Hong Chulki (feedback mixer), Bae Miryung (laptop),
Jin Sangtea (electronics, radio) and Sato Yukie (guitar). The swiss are
Jason Kahn (analog synthesizer, percussion), Tomas Korber (guitar,
electronics), Norbert Möslang (cracked everyday electronics) and Günter
Müller (ipod, electronics). The seven pieces contain various combinations of
these names. It's not easy to say many things in detail to this album, and
the reason for it is quite simply. If you stick this on, sit back and start
to listen it's like you are listening to a concert. You know who should be
on stage, but it's hard to tell whose who. And even more difficult to see
who is doing what sound. The stage is
full, some are quiet and some not. With the amount of combinations on this
release, it's simply, even with the cover nearby, not easy to find out
what's what and whose who. But if there is one observation to made, compared
with the five previous volumes of this series, is that the music seems more
raw. But this I don't mean 'loud' per se, but it's a rough charm that lacks
the refinement of the previous lot. And that's something I think that works
pretty well and adds a certain freshness to the material. Maybe it's the
kind of playing that the Korean party brought in, perhaps not. But even at
their quieter moments this big party hold their fresh, uncut music well up.
A great way to close this series. (FdW)
Address: http://www.for4ears.com

QUATOR BOZZINI - CANONS + HOQUETS (CD by Ambiances Magnetiques)
QUARTETSKI DOES PROKOFIEV - VISONS FUGITIVES OP. 22 (CD Ambiances
Magnetiques)
A few years ago Quator Bozzini - the string quartet of the sisters Bozzini -
released a cd with 'Different Trains' of Steve Reich. Disappointing nor
because of the musicianship of this excellent quartet, nor their
interpretation of this work. But why this work, this composer? Personally,
I,m not waiting for once again a registration of well-known works from
well-known composers. So I,m happy they focus now on not so familiar
composers. The cd opens with two works from the english composer Howard
Skempton, namely 'Catch' (2001) and 'Tendrils' (2004). Succeeded by three
works by Jo Kondo: 'Hypsotony' (1989), 'Fern' (1990) and 'Mr Bloomfield, his
Spacing' (1973). Both pieces of Skempton are sweet elegant compositions.
Especially 'Catch' with its canonic structure, is a meditative piece
drenched in medieval atmospheres. 'Tendrils' meanders pleasantly along,
albeit a bit too long.
The works of japanese composer Kondo continue in more or less the same
tempo, but in contrast with the compositions of Skempton, Kondo's works are
very dissonant from start to finish. This is a interesting selection of
compositions. In their similarities and differences they make an inspiring
anthology, carrying all the string quartets composed by respectively
Skempton and Kondo.
Quartetski Does Prokofiev is a jazz quartet. Bassist Pierre-Yves Martel
arranged the 'Visions Fugitive', of Prokofiev for a jazz quartet. Other
members of this quartet are Gordon Allen (trumpet), Isaiah Ceccarelli
(drums) and Philippe Lauzier (alto and soprano sax, bass clarinet).
If I didn't know, I could not have guessed that these compositions are by
the hand of Prokofiev or any other composer from this era. This implies that
the original music must be very suitable for being transposed to a modern
jazz context, or that the arranger and the quartet are very creative in
doing so. Probably both are true. In 18 short pieces - most of them about
3-4 minutes - the quartet explores and revives the originals that are even
shorter. Prokofiev composed them during the Russian Revolution for piano.
They remained at the stage of musical ideas, but prove to be very fitting
starting points for improvisation for this very capable quartet. (DM)
Address: http://www.actuellecd.com/

THE NEW BLOCKADERS & DAS SYNTHETISCHE MISCHGEWEBE - THE MONOPSYLLABIC
BICYLCES TRI-CYCLED QUADRUPLES (LP & 7" by Equation Records)
On the Equation Records label website there is a lengthy story written by
Guido Huebner since long time upon the man behind Das Synthetische
Mischgewebe (and one of the few 'old' guys to still guise a band guise, even
when he does things solo). It's a long text but it's not a text I understand
very well. It explains only halfy what is done on this record and why. It's
beautifully packed, as is the usual thing for this label, and there is a 7"
and a 12". The correct route is of course side a, side b, side c and then
side d. However side a and d are on the LP, whilst b and c are on the 7".
The latter is pure Das Synthetische Mischgewebe, with 'sounds set in
motion' - no human interference, but things 'around the house' which make
sound them selves. I may assume Guido did some cutting and pasting of these
events? On the LP Guido is at work as the 'composer' of sounds delivered by
The New Blockaders (why isn't this called 'the final collaboration', I
thought, but the logic of the
Blockaders is not always my logic). The New Blockaders are used to scraping
the surface, amplifying acoustic events, hand played that is. If I
understood the text correctly there has been no electronic alterations of
the sound, but just a 're-organisation' of the sounds (some specially
recorded for this project, some from existing releases) - what we would
'composing'. Hubner is the sort of person who is the man who suits the task
well. His ears know exactly what to pick out and shape the material to an
entirely new form, while maintaining the original sound input of the
Blockaders. It's the meeting of the industrialized sounds of the Blockaders,
the sharp blocks of sound versus the splicing technique of Huebner - even
when that is nowadays done in a digital manner and no longer through
analogue tape. A refined work at that and like said, with this label, it's
also beautiful packed. (FdW)
Address: http://www.chronoglide.com/equation.html

MAGNETISM, THAT ELECTRICITY (4x12" by Highpoint Lowlife)
Packed as box of four EPs (here a CDR was provided) comes a release that
showcases the various musical directions that the releases by Highpoint
Lowlife take these days. Each fills up a record (although I am not sure how
the 19 minute track by The Village Orchestra is separated on the vinyl) and
there are some interesting and some less interesting things to be spotted
around this place. Things start off strong with four tracks by Mandelbrot
Set who go off in a post rock direction, with drums, guitars, synthesizers
and violins (perhaps only through sampling) playing at times a wild rock
tune and in 'Astronomy And Allied Sciences 2a' more an introspective piece
of drone music. Fisk Industries on the other hand are purely electronical,
with broken hip hop beats, electronics and in 'Rhetoric' a rap that is
pushed to the back. Not particularly strong material. The Village Orchestra
play a rather epic piece of music, starting out in a desolate landscape but
land in a techno party of
pulsating beats and swirling electronics, before landing in the chill out
zone again. The Marcia Blaine School For Girls just love the discotheque
here, with rhythms that push around and in 'Bottle Stain' offer a strong
Chain Reaction like piece. So Fisk Industries didn't get me going, but the
other three delivered quite nice material, from the rock stage and the dance
floor and Highpoint Lowlife is once again providing the soundtrack for
alternative dance spaces. (FdW)
Address: http://www.highpointlowlife.com


BRANDKOMMANDO - HUNGER (CDR by Apocalyptic Radio)
A CD-R in Digipack limited to 99 copies of 7 tracks of Noise from Poland.
Track one echoy machinery - I begin to twitch, finishes just after a minute,
track two is some sci-fi transporter and someone playing the God father film
music, or I really have gone mad. More noise- rumbles - BUHHHH BHUHHH not
noise - noise should be WAZZZZ HISSS KICKKKKK SCCCCCCAAA XYYYY !!!!
!"£$%^&*(- which at two and a half minutes these boys are now doing - yeh! -
go for it boys - shred them tweeters - split some wigs - rip my woofers
out! Well they've gone rhythmic and spacey echoy thing again - sigh! I'm
getting bored - maybe there could be a computer program which just read the
disk and if everything was not well over on the DB scale "bend them VU
needles" - totally in the red - it would print "Interesting" - and if
totally in the red, flag it up for listening. If so Hunger is marginal. If I
really wanted to listen to sci-fi music I'd watch Alien - but just which
one. Or Event Horizon - that's cool
too. (jliat)
Address: http://www.apocalyptic-radio.com/

FIXTURE FOR TOXINS - THRENODIES OF LABOR (CDR by Future for Toxins)
FIXTURE FOR TOXINS - NIGHT HOVERS OVER US AGAIN (CDR by Future for Toxins)
This I think is part of a sub-genre - AKA Breakcore, Powernoise-industrial
.?? short live performances of rhythmic improv of what sounds like de-tuned
guitar and noise with vocals. A pastiche of a punk band performance - or of
good old Black Sabbath- which is perhaps the origins of its move towards
noise - which is a bad term - though this is 'noisy' - it has both form and
structure in the articulation of pseudo-songs which I think pushes it out
of the category of Noise - if the term has to have any meaning. And though
some don't see the worth in discussing boundaries, I do - if only for the
'play' or crack as the Irish say. What differentiates this sub-genre is its
teleology - and its ontology- (trans: - where it came from -its being - and
where its going - telos) and why it isn't what I would define as Noise is
that Noise has neither. Noise has no ontology, teleology or *ethics* - (it
is the Übermensch). FFT though - faces back critically at the pop group
performance of
songs even as "anakistic' as punk itself- and offers a moral critique, it
lies within "music" (even pop) (but) is different not just in sound, in its
construction, instrumentation, production of - lo-fi product and packaging
& dissemination but by the very ethical values of its performers. It
replicates itself as gestures which resemble "songs" as being anti-pop
neo-dada works, (and Dadaism was a moral response!) this makes it
sufficiently different to "industrial" - which often seems to paint
landscapes rather than address the concept and traditions of our industrial
history from which the pop-group emerged. And in being this honest, artists
such as these are taking great risks, i.e. Atrax Morgue.
(jliat)
Address : http://www.purevolume.com/fixturefortoxins

TEXAR - ANNELIE AND THE DARK SEA (CDR by After Music)
Myspace give us "Acousmatic / Tape music / Minimalist / Live Electronics
Darren Brown & Rick McCollum Influences - What needs to be done must be
done in silence .. Sounds Like - Your Nightmare - Record Label - After
Music " and very little else. The disk quotes Annelie whilst a flyer gives
the title as Aniline. Is the lack of information and dis-information -
deliberate or not? In a lack of clear intent it engages something of the
thoughts elsewhere re Fixture for Toxins, though the blurb says "live" this
has been - and is obvious - studio processed or sliced up. At first maybe a
studio album of natural sounds- perhaps - but perhaps synthesized - rain and
thunder - processed with added noise - regular groans and elephantine animal
noises. Long cries, generator noises appear to start at 5 minutes - and
woooowy woowy sounds - and so it continues ghostly moans and repetitive
indistinguishable chanting - a little like children trying to frighten each
other.16:12 and the sound of
a cheering crowd and then a few seconds more and its all over. Though
having a different sound texture it has much in common with FFT in its low
fi - low production / presentation and short length. What was once an EP in
the days when vinyl ruled the earth - and maybe that offers still a better
format for such oddities. However nothing is so simple even in the spent
pointlessness of lo-fi absurdities - even more mysterious I find with no
apparent link - or maybe there is - Texar is also a *pro-slavery* character
in a novel by Jules Verne, - so what could that mean - deliberate or
accident - though its also the name of a drilling company an I.T. set up,
and a credit union as well as a musical ensemble. (jliat)
Address <texar@earthlink.net>


GREG HEADLEY - 24-CARAT ABNORMALITIES (CDR by 28angles)
Already Greg Headley's ninth release, the sixth on his own 28angles label.
Much of the work here is inspired by a trip he did to Eastern Europe in
summer of 2007. If I understand his words correctly this new work is a bit
different than the previous ones, which were more the direct taping of
results, whereas this new one involved more extensive mixing, taking up more
time in the final shaping of the music. As before Headley plays guitar and
software instruments to transform the sounds made on the six strings. It's
however not easy to recognize the guitar all the time. Sometimes it's pretty
obvious, but sometimes Headley manages to make it sound like the crackle of
short/long wave or thunderous like a hurricane or airplane flying over.
Dynamics play an important role in the six pieces on this release. Sometimes
deceivingly sweet and mellow, but it's the silence before the thunder breaks
out. It's move from much of his previous work which stayed more on one
volume level and was
throughout more ambient. In some ways the previous release 'There Comes A
Violent Love/Pulse' still remains an anomaly in his work - with his modern
classical approach - and '24-carat Abnormalities' sees him returning to his
guitar phase, but with the addition of dynamics as a new strong point. That
previous one was a highlight in his career, perhaps mainly for being so
different than the others, but this new one, while moving outside his
tradition again and remaining a similar approach to musical equipment, is
also a standout work. Quite a mature and carefully planned work! (FdW)
Address: http://www.28angles.com

SAD SAILOR LINK TO THE OUTSIDE WORLD (CDR by Public Eyesore)
WE NEED YOU - WE NEED YOU (CDR by Public Eyesore)
Three tracks on this minicd from a very extended group. The group has three
guitarplayers, a bass and a cello player. Plus a drummer and someone on
synthesizer and trumpet. The group was formed in 2007 born out of a
spontaneous meeting. In their instrumental jams a massive soundwall comes
from the speakers. Bass and drum lay down a strong basis of rhythm. Above
this the guitars and cello - especially in the first track 'Juice the
Room' - play their riffs, resulting in a sort of noisy guitarrock. Nothing
special happens here. It is guitarrock as we know it, and as it always will
be. This is not compensated by the fact that we find a cello and a trumpet
on these recordings which is a bit unusual for this kind of undertaking.
We Need You is something completely different. Like Sad Sailor they make
their statement in about half an hour. It is an improv trio with John
Dikeman on tenor sax, Jon Barrios on bass and Toshi Makihara on percussion.
All three of them are experienced musicians which is clear from the start.
Dikeman let his sax squeak, murmur, etc. He is an expressive player and has
a nice tone. Makihara's playing is polyrhythmic and very elastic. And
Barrios is a dexterous player. Together they create very different textures
and moods. From slow and soft to quick and very loud. Abstract
improvisations convincingly played but not earthshaking. (DM)
Address: http://www.publiceyesore.com

EARZUMBA - VIVO! (CDR by Absurd)
ANASTENARIA (CDR by Absurd)
Each week we wade through copious amounts of music, which is fine, it's our
task. But sometimes even we wonder why? Apparently Earzumba was on tour and
played in Buenos Aires, Vienna and the lovely Folkore Museum of Xanthi
Greece and from the recordings made during these shows, Earzumba compiled
this release with nine tracks. 'Erros, kyb solos, all music, live
processing' is what is said on the cover. I respect Earzumba very much and
many of his previous releases were applauded here, and this new one is quite
nice again. Earzumba is a sample mania artist, taking drums here and there,
plays his keyboard widely, feeds it through a blend of electronics, and
plays throughout vibrant electronic music. A sure delight to see it lives,
or so I can imagine. But it's perhaps also a bit of a superfluous release,
as it doesn't necessarily add much to what we already know from Earzumba. In
a world full of releases, it's perhaps time not to release every bit, but
work on the best next release. As
such I don't think 'Vivo' is that next best thing. It's one of nicer ones in
an already expanded universe.
More folkore on the release called 'Anastenaria', and although I hate to
refer to websites, there is a lengthy story on the events held at Ayia
Eleni, Langada and other Greek places here:

http://www.anagnosis.gr/index.php?la=eng&pageID=143. It's about a ritual
that dates back to Pagan times and this release is a pure field recording of
the 1979 (!) event. We hear drums, violins, chanting, people talking, which
makes hardly sense if you don't know what it is about but has a true
ethnographic feel to it. I must say that I listened to it with interest, but
found it difficult to relate to. It reminded me also of the good 80s
cassette scene when 'field recordings' such as this, think Calanda, were
released. (FdW)
Address: http://www.void.gr/absurd/


BRIAN OSBOURNE & MICHEAL THOMAS JACKSON - CIRCUIST CIRCUTS (CDR by Primecuts
Recordings)
CIGMA6 - GROWTH RESUMED ON THE WORK (CDR by Primecuts Recordings)
MICHEALTHOMASJACKSON - A DOG STAR MANUAL (MP3 by Defenestrated Records)
Micheal Thomas Jackson wants us to know he's back. I think (or rather
believe) that in the last year he has released more than in the twenty or so
years he has been active. The first two of these releases are on his own
Primecuts label and both a collaboration. With Brian Osbourne he has been
working for a decade now, using percussion, clarinet and electronics. The
eleven pieces here are what I could easily call a mixed bag. Mostly
conceived through improvisation, in a rather free setting, these pieces are
the best of the release. But there are also noise bits such as 'Miles Runs
The Battery Down', which don't seem to fit their (rather my) idea of
improvisation. That is a pity. Maybe with a fewer, or rather stronger
selection, this would be have more than just an o.k. release.
As Cigma6 (named after one of the first incarnations of Pink Floyd?),
Jackson goes back even further, as it's his ongoing collaboration with Chris
Phinney, also known as Mental Anguish. They worked together before as
Cancerous Growth and Viktimized Karcass. Like others in this area of US
underground music (Hal McGee, Alien Plantescapes) they love psychedelic
music. Here they are physically together in two piece and virtually in an
other. When together they have a bunch of moog synthesizers and electronics
and freak out is the theme of the day. In a rather free, again, play of
synthesizers they jam around with sounds dropping in and out, notes being
bent and space is the place. Nice, perhaps, but here goes: playing it
yourself is probably more fun. This sort of music could perhaps be better
enjoyed with all the right chemical substances. The shortest of the three,
the virtual assembled 'Fraught With You', with its menacing, mechanical
sounds is the best of the three.
The final one was recorded on August 22 2006, Stockhausen's birthday and is
a collection of feedback improvisations. From the three releases this is the
most interesting one I think. There is an interesting 'wideness' in these
recordings, from the obnoxious loud to the extreme quietness, from the very
high end of the spectrum to the low end. Jackson has absolute control over
his feedback and produces some interesting music with this. Through keep
controlling of the matters at hand, the seven pieces are wealth to listen
to. Much alike some of the best Arcane Device - to stick with the tune of
the older statesmen of the no-input musicians. No input, maximum out put.
(FdW)
Address: http://www.microearth.com/jackson
Address: http://www.ded-recs.com

CLAUDIO ROCHETTI - HARRISONFORD (cassette by Deadtracks Records)
One of the three myths of Claudio Rochetti (one of the members of
3/4Hadbeeneliminated) is Harrison Ford. Another one is David Lee Roth and
whoever the third is we don't know yet. A dedication to David Lee Roth was
released by Long Long Chaney. Here it's 'Harrisonford'. On one side we hear
the voice of Kenji Siratori set against a organ like drone. The voice is not
distorted as with some other Siratori projects, but hard to understand. The
instrumental b-side is also based on drones, but louder. A dishwasher or
some such is fed through some effects. Quite an industrial piece of music,
but it sounds quite nice. Pretty nice release, the first on Deadtracks
Records, and we wonder how long this label will exist, since rumor has it
that cassettes will disappear from the market next year, which, me thinks,
is a great pity. (FdW)
Address: http://www.myspace.com/deadtracks

TIAGO SOUSA - THE WESTERN LANDS (MP3 by Resting Bell)
The main instrument of one Tiago Sousa was a piano, and with that instrument
he played on two releases before. I never heard of him, but for 'The Western
Lands' (a very loose interpretation of the Burroughs book of the same name),
Sousa grabs the guitar. Played by picking and strumming and feeding through
effects to create a somewhat dense pattern. But to say he creates music that
really wants to attracts the listener: not really. The sound is a kinda
muffled, a bit distorted and the note progression suggest, or try to
suggest, 'a space open to be filled' but it simply fails to work as ambient
piece. The best moments are when Sousa gets back to his piano, and plays
that. But even at that, none of the seven pieces could really grab me. (FdW)
Address: htto://www.restingbell.net

1. From: "yatra-arts" <yatra-arts@cogeco.ca>


Tanso Presents: SOUNDEYE - New Directions in Chinese Music

A Free 3 day screening event of Documentaries, Films, Music Videos, Live
Performance and Talk about the vibrant new Chinese Music Scene.

LOOK, LISTEN and EXPLORE!

TANSO (which is Mandarin for discover), a new organization set up to
spotlight new & modern music from China is proud to present SOUNDEYE from
April 25 - 27.

This three day screening event at U of T's Hart House will explore the
vibrant new music scene in China. We will show rare, unseen & exciting
footage from a diverse range of artists, covering a variety of musical
genres: from Electronica, Experimental Noise, sound art, Punk, Post Wave to
New Folk and Rock. Two feature length documentaries will provide a concise
overview of the cutting edge musical movements in Hong Kong & Mainland
China. We are also screening a variety of music videos, which should
interest artists, die-hard music followers, casual music fans or simply
those with an interest in anything Chinese.

SOUNDEYE will spotlight the coolest Indie labels from all over China, such
as Shenzhen's WE PLAY (run by Zen Lu), Beijing's Shansui, Hong Kong's
NoiseAsia (founded by the multi-faceted Dickson Dee), and the well known
Beijing imprint Subjam (run by the prolific Yan Jun). These names are
unfamiliar in the West, but they are the future of Chinese new music - an
emerging movement of new and innovative artists.

TANSO wishes to highlight all aspects of the exciting new music scene from
East Asia - including the Chinese mainland, Hong Kong, Taiwan, Malaysia and
Singapore. SOUNDEYE is the first event in a series that will open Canadians'
doors to a world of creativity that few have yet to discover. We are
committed to bringing the best of China's various independent music scenes,
artists working in new media & sound art.

TANSO is a non-profit organization whose mandate is to build a bridge
between Canada and China by facilitating cultural exchange via music and
art. Join us at our inaugural event as we welcome Spring with some aural &
visual stimulation.

FREE ADMISSION
Time: April 25, 26, 27, 2008
Location: The Hart House, East Common Room, U of T Downtown Campus

For more information or press inquiry, go to
<http://www.tanso.ca/>www.TANSO.ca
Or contact us at <mailto:Soundeye.Tanso@gmail.com>Soundeye.Tanso@gmail.com


**********************
Daily Schedule:

Apr 25, Fri. 8pm-1am, Opening Party
8:30-11, Feature Documentary <China Rock> -20 Years of Chinese New Music

April 26, Sat, 7pm-1am, The Experimental Sound
7:30-9, <SubJam Presents: KwanYin Records> - Experimental/Noise
9:30-11, <Special presentation of ShanShui Records> - Electronic

Apr 27, Sun, 1pm-1am, The New Era
1:30-3:30, <Southern Sound> - Experimental Music from Hong Kong
4:30-7, <The Big Picture> - The Best Music from China in all genres,
SynthPop, New Folk, Skinhead, Punk, Emo, Post Wave, Rock and more
8:00, Feature Documentary <Improvisation> - Chinese Sound Art in Poland

An on-site exhibit of innovative poster designs in the Chinese new music
scene.

For more information or press inquiry, go to
<http://www.tanso.ca/>www.TANSO.ca
Or contact us at <mailto:Soundeye.Tanso@gmail.com>Soundeye.Tanso@gmail.com

--
*************
SOUNDEYE - New Directions in Chinese Music
A 3 day screening event of
Documentaries, Films, Music Videos, Live Performance and Talk about the
vibrant new Chinese Music Scene.
April 25, 26, 27
Location: The Hart House, East Common Room, U of T downtown Campus
For more info and complete screening schedule, please visit
<http://www.tanso.ca/>http://www.TANSO.ca


2. From: BILL KOULIGAS <billkouligas@yahoo.gr>


PAN / HARBINGER SOUND / AUTHORISED VERSION _ PRESENT:

Tuesday April 22nd 2008:

RAMLEH (POWER ELECTRONICS SET FOR NEW WORKS!!)
CARLOS GIFFONI
CONSUMER ELECTRONICS
MLEHST
CHEAPMACHINES
FAMILY BATTLE SNAKE
THE DIGITARIAT

+ D.J. : The Harbinger Sound Plastic Punk Explosion

@ The Gramaphone, 60-62 Commercial St, Spitalfields,
London, E1 6LT

Doors @ 6:30pm, £7.00

buy tickets :
www.a-version.co.uk/tickets

info:
www.pan-act.com

3. From: "incite@gmx.de" <incite@gmx.de>


Here´s the upcoming Hoerbar Concert in April:

Hoerbar Hamburg presents
Johannes S. Sistermanns
Rainer Deutschmann und seine Freunde

Friday, April 25, 21:00
Hoerbar@ B-Movie
Brigittenstr. 5
Hamburg St. Pauli
<http://www.hoerbar-ev.de>http://www.hoerbar-ev.de
<http://www.myspace.com/hoerbarhamburg>http://www.myspace.com/hoerbarhamburg


4. From: "absurd" <absurd@otenet.gr>


<www.carlosgiffoni.com>Carlos Giffoni (us)
<www.novasak.com>Novasak (cnd) & <www.triplebath.gr>Nokalypse (gr)
<www.myspace.com/familybattlesnake>Family Battle Snake (gr/uk)

@

<http://kinkykong.blogspot.com/>
Avramiotou str, Athens

Thursday 24 / 04 / 2008 - 21.00 hr

Admission 8 euros

organized by :

<astrangeattractor@yahoo.com>a
<www.pan-act.com>
<www.void.gr/absurd>

5. From: Martijn H <Martijn@universaal.nl>


Friday april 25th 2008

GELUIDPOST 2008 - curated by Martijn Hohmann

second installation:
'phonography'

Students from the Royal Conservatory The Hague, Institute of Sonology
Under the direction of Justin Bennet:

Sophokles Arvanitis
Auris Bavarskis
Toggi Einarsson
Philip Götz
Ezra Jacobs
Thomas Haighton
Yamila Rios Manzanares

incl. Live performance @ 20:00
admittance: free

Lokaal01
Kloosterlaan 138
Breda The Netherlands
http://www.lokaal01.org

6. From: "Russ Waterhouse" <russwaterhouse@gmail.com>


http://myspace.com/bluescontrol


Fri 5/9 @ Danger Danger Gallery
Philadelphia, PA
w/ Sic Alps, Tickley Feather
http://myspace.com/dangerdangergallery

Sat 5/17 @ The Sugar Tank
Lancaster, PA
http://myspace.com/boatpeople

Sun 5/18 @ Floristree
Baltimore, MD
"Full House Festival"
w/ Cluster, Susan Alcorn, Axolotl, Eric Copeland, Daniel Higgs, Keith
Fullerton Whitman and more
http://myspace.com/floristree

Thu 5/22 @ Block Museum / Northwestern University
Evanston, IL
6th annual "Sonic Celluloid" festival of film & music
http://www.blockmuseum.northwestern.edu/block-cinema/sonic.html

Sat 6/28 @ Rancho Relaxo
Toronto, Ontario
http://myspace.com/theranchorelaxo

Sunday 6/29 @ Casa del Popolo
Montreal, Quebec
"Suoni Per Il Popolo" festival
http://www.casadelpopolo.com/suoni/about.htm

7. From: "Ole-records" <ole_records@reallyfast.info>


O tannenbaum this week:

Saturday 26 april
Dutch shit afternoon starts 16.00 hours
Dutch evening with Harry Merry live starts 20.00 hours

www.o-tannenbaum-berlin.de
--


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